Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
The Sultan introduced another innovation also into the mysterious
proceedings of the Divan. It was not usual for the sovereign to appear
personally there, but whenever an affair was discussed, the grand vizir
appeared before him, with the members of the council, in an apartment
of the seraglio, and there took his directions. But, though he was
seemingly absent, it was known that he was always present on any affair
of importance. There stands at the back of the Divan, some distance
above the heads of those who sit on it, a projection like a bow-window
from the wall. This is covered with gilded lattice-work, and concealed
by curtains drawn behind. It is called the Sha Nichin or “sultan’s
seat,” and here he ensconced himself, and heard and saw whatever was
going on below. As the curtain was usually drawn, it was not known
to a certainty when he was there or not, but he was dreaded like the
tyrant of Syracuse, as always listening, and sometimes detected by the
angry gleam of an eye glancing through the lattice, and denouncing
vengeance on some obnoxious member of the council. It is for this
reason called “the dangerous window,” and looked up to with awe and
terror from below. Many anecdotes are told of this Sha Nichin. Achmet
I. who is said to be its inventor, constantly watched the proceedings
of the Divan from hence, when it was supposed he was buried in sensual
indulgences in the remote recesses of the seraglio. One day, when a
court of justice was held, a soldier presented an arzuhal to the grand
vizir, and, supposing it was treated with neglect, and himself with
injustice, he drew his yatagan, and suddenly plunged it into his body.
The chaoushs and others cast themselves upon the assassin, and were
about to cut him to pieces, when the curtain of the Sha Nichin was
drawn aside, and the voice of the Sultan was heard like thunder issuing
from it. He commanded them to desist, and, stepping down, he himself
examined the man’s case, with the bleeding body of the grand vizir on
the Divan beside him. He thought he had reason to suppose the sentence
was unjust, and the delinquent had provocation; so he dismissed the
soldier as an injured man, and caused the body of the grand vizir to be
cast into the sea as an unjust judge.
Public-domain text, read in full here on John Shaqi.
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