Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one VolumeWalsh, R. (Robert)
History
Constantinople and the Scenery of the Seven Churches of Asia Minor: Series One and Series Two in one Volume
Walsh, R. (Robert)
Istanbul (Turkey) -- History; Istanbul (Turkey) -- Pictorial works
The occasion chosen by the artist, in the illustration, exhibits a
display of the most important circumstance that has occurred since the
Osmanli established themselves in Europe. It was the moment when it
was to be decided, whether they should remain the rude and obstinate
barbarians that first crossed the Hellespont, or be illumined by
the lights and amalgamated with the nations of Europe, and when the
reforming Sultan, struggling for life and empire, was compelled to
have recourse to the last expedient left him. The janissaries having
the whole population of the city entangled in their connexion, and
enlisting all its prejudices on their side, were accumulating such a
vast force, as would soon bear down all opposition: but Mahmoud, at
once, determined on that course which could alone counteract their
influence. He ordered the _Sandjak sheriff_, or sacred standard of the
Prophet, to be taken from its repository in the imperial treasury.
This sacred object was only seen on the most solemn and important
occasions, and was now, for the first time for half a century,
exhibited, and brought with great pomp to the mosque of Achmet. When
this was rumoured abroad, there was no man who professed the true
faith, that dared to resist the call: thousands and tens of thousands
were seen rushing from all quarters to this temple; and when it was
filled by the multitude, the standard was displayed from the lofty
pulpit of the Imaum. On the steps stood the Sultan, exhorting the
people, by the faith they owed the Prophet, now to rally round the
sacred ensign. A deep murmur of assent, the strongest display of
Turkish feeling and determination, filled the lofty dome. They all fell
prostrate in confirmation of their resolve, and from that moment the
cause of the janissaries became desperate.
[Illustration: T. Allom. R. Sands.
TOPHANA−-ENTRANCE TO PERA.]
Public-domain text, read in full here on John Shaqi.
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