Constantinople old and newDwight, H. G. (Harrison Griswold)
History
Constantinople old and new
Dwight, H. G. (Harrison Griswold)
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
Both _Baïrams_ are an occasion for paying visits. Everybody calls on
everybody else, so that it is a wonder if anybody is found at home. In
the case of the Sultan, however, there is no uncertainty. On the first
morning of each _Baïram_ he holds a great levee, which is attended by
every one of a certain rank. The ceremony has taken place every year
since the time of Baïezid the Thunderbolt, who held his court in Broussa
in the fourteenth century. Foreigners take no part in this _mouayedeh_
(exchange of feast-day wishes), or _baise-main_, as they prefer to call
it, but the diplomatic corps and other notables of the European colony
are invited to watch it from the gallery of the throne-room. Or sometimes
a humbler individual may be introduced in the suite of his embassy,
as was the fortune of the present scribe on the occasion of the first
_baise-main_ of Sultan Mehmed V.
It rather reminded me of youthful operatic days to march through the
endless corridors and to climb the immeasurable stairs of Dolma Ba’hcheh
Palace and to look down at last from the high east gallery of the
throne-room. The top galleries of my youthful days, however, did not
contain gilt chairs upholstered in blue and white satin or buffets set
out with gold plate and presided over by lackeys in red and gold. The
lackeys, though, did look a little like the stage. While a Turk makes a
magnificent soldier or horseman, he never attains, impassive though he
be, the sublime superiority of a European footman. Is it that his livery
is unnatural, or is the human in him too strong to be quite purged away?
The operatic impression was further carried out by a crystal chandelier,
swinging from the dome exactly where it would cut off somebody’s
view, and by the rococo arches surrounding the central square of the
throne-room. This huge space was empty save for a crystal candelabrum
standing at each corner and a covered throne in the middle of the west
side. The throne was a small red-and-gold sofa, as we presently saw when
an old gentleman removed the cover. He also looked carefully under the
throne, as might a queen apprehensive of burglars or mice; but I suppose
it was to make sure no bomb was there.
Public-domain text, read in full here on John Shaqi.
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