Constantinople old and newDwight, H. G. (Harrison Griswold)
History
Constantinople old and new
Dwight, H. G. (Harrison Griswold)
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
The ceremonial attending the departure of the Sacred Caravan is one of
the last bits of Oriental colour left in Constantinople. I have now seen
it several times, however, and every year it seems to lose something. My
best procession was my first, which also happened to be the last under a
Caliph of absolute power to draw upon the public funds. And although I
had a camera with me that time, I was not allowed to use it. The convoy
I had encountered on the bridge was merely a preliminary of the true
pageant, escorting the _sourreh_ from the Ministry of Pious Foundations
to Yîldîz Palace. There the presents, installed for two days under rich
tents, were inspected by Abd ül Hamid and given into the custody of the
_Sourreh Emini_. Then after an imposing religious ceremony the Sacred
Caravan commenced its march. For a spectator without the palace walls
the first intimation of its approach was given by several carriages of
Palace ladies, who take an unofficial part in most public spectacles.
Religious and military dignitaries also began sauntering down the road,
which was bordered by soldiers, with an air of dispersing after some
important function. Presently a double line of cavalrymen came into
sight, preceding more religious and military dignitaries on horseback.
One of them was the _Emir ül Haj_, the official head of the caravan,
with much gold embroidery on his long coat. His post, still an important
one, was far more so in the days when the caravan was less certain
to escape attack on the way. Some of the horses, particularly of the
_ülema_, were led by grooms; others were followed by orderlies carrying
big cloth bundles. The body of the procession was made up of an irregular
crowd of priests, officers, eunuchs, Palace servants, and nondescripts
of various sorts, chanting at the top of their voices, followed by the
big camel I had already seen, and the palanquin. But there were eight
other camels this time, of all sizes, down to a fluffy little white one
that everybody wanted to pat; and two children were immensely enjoying
a ride in the palanquin. Behind that rode an official holding out on a
red satin cushion an autograph letter from the Sultan to the _Sherif_ of
Mecca, confirming him in his office for the coming year. Another bore a
huge parcel in his arms, done up in white tissue-paper. This was a robe
of honour sent by the Sultan to the _Sherif_. Others still carried silver
vessels in which sweet savours burned—“in honour of the angels,” as a
dervish once expressed it to me. Next marched a second irregular crowd,
louder and more amazing than the first. In front of it were two rows
of black men in scarlet robes, beating on tom-toms the rhythm I knew,
which they alternated with a quicker one. And midway of the crowd a ring
of excited persons brandished swords and challenged the enemies of the
Prophet to mortal combat. They were an unaccustomed reminder, in tolerant
Constantinople, of the early days of the faith. And then, tied with very
Public-domain text, read in full here on John Shaqi.
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