Constantinople old and newDwight, H. G. (Harrison Griswold)
History
Constantinople old and new
Dwight, H. G. (Harrison Griswold)
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
This ceremony is repeated in a milder form in Scutari, on the day
after _ashoureh_. Early in the morning the Persians flock to a valley
of cypresses called Seïd Ahmed Deresi, which is a corner of the great
cemetery reserved for their use. There they rejoice over such as have
by their own blood atoned for that of Hüsseïn. I have followed them
thither only once, but I am happy to say that no interment took place.
Tents were set up on the edge of the cemetery, of a faded green that
admirably set off the darker cypresses, and close-packed Persians
squatted in them, drinking tea or smoking their terrible _toumbeki_.
More Persians, recognisable by their black caps if not by their cast
of feature, roamed among the trees. Most of them were of the humbler
sort, in skirted coats of dull colours. Here and there was one in a
long stiff fuzzy black cloak, with a touch of gold at the throat. Many
had beards decoratively reddened with henna, and wore their hair shaved
high about the neck and off the middle of the forehead. There was much
embracing between hairy monsters who had not met, perhaps, since last
Mouharrem; and much patronising was there of ambulatory venders of good
things to eat. Finally, at what signal I know not, a company of men in
black marched out among the graves, bearing triangular flags of the sort
I have already described. At some distance they joined forces with a
company of coloured flags, headed by the strange ornaments of steel.
Two of the coloured flags should have been in a museum rather than in
Scutari cemetery on a wet winter day. They were unusually fine examples
of the Persian wood-block printing, and in the centre of each smiled an
inimitable lion with a curly tail. These two companies marched chanting
together to the end of the cemetery, where they met a third made up of
flagellants. But this time there were no men in white and no bloody
blades. Then they all proceeded down the long road to the water, the
steel emblems and the coloured flags first, the black banners next, and
the flagellants last, chanting, beating their breasts, and swinging their
heavy chains. Every few steps they stopped and went through their rite
with greater zeal. The stops were longest in front of institutions and
great houses, where a _mollah_ would intone from a parchment manuscript
he carried. And in the picturesque little square of Top Tashi, where some
fallen Greek pillars lie in front of the madhouse attached to the mosque
of the Valideh Atik, a Roufaï dervish, whom I remembered to have seen
in the _tekkeh_ of Karaja Ahmed, sang a long threnody in honour of the
martyred Hüsseïn. The procession was followed by hundreds of Persians who
joined in the chanting and breast beating. Their number, and the many
stops, made an opportunity for street vendors and for beggars. Cripples
sat on either side of the narrow street with a handkerchief spread out
in front of them on which lay a few suggestive coins. Gaudy gipsy girls
Public-domain text, read in full here on John Shaqi.
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