Constantinople old and newDwight, H. G. (Harrison Griswold)
History
Constantinople old and new
Dwight, H. G. (Harrison Griswold)
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
Clean Monday, nevertheless, is a great holiday. In Constantinople it is
also called Tatavla Day, because every one goes out to Tatavla, a quarter
bordering on open country between Shishli and Hass-kyöi. A somewhat
similar custom prevails in Venice, where every one goes on Ash Wednesday
to promenade on the ordinarily deserted quay of the Zattere. But no masks
are seen on the Zattere on Ash Wednesday, whereas masks are the order of
the day at Tatavla on Clean Monday. They are not so much the order of
the day, however, as the progress of a traditional camel, each of whose
legs is a man. It carries a load of charcoal and garlic, which are
powerful talismans against evil, and it is led about by a picturesquely
dressed camel driver whose face is daubed with blue. This simple form
of masquerading, a common one at Tatavla, descends directly from the
pagan Dionysia. Another picturesque feature of the day is the dancing
by Epirotes—Greeks or Christian Albanians. Masquerading with these
exiles consists in twisting a handkerchief about their heads in guise
of a fillet and in putting on the black or white _fustanella_—with its
accompanying accoutrements—of their native hills. They form rings in the
middle of the crowd, which is kept back by one of their number called
the Shepherd. Like the Christmas mummers of the Greek islands, he wears
skins and has a big bronze sheep or camel bell fastened to some part of
him. He also carries a staff to which is attached a bunch of garlic for
good luck. He often wears a mask as well, or is otherwise disguised, and
his clowneries give great amusement. In the meantime his companions join
hands and dance around the ring to the tune of a pipe or a violin. The
first two hold the ends of a handkerchief instead of joining hands, which
enables the leader to go through more complicated evolutions. Sometimes
he is preceded by one or two sword dancers, who know how to make the most
of their hanging sleeves and pleated kilts. Some of these romantic young
gentlemen are singularly handsome, which does not prepare one to learn
that they are butchers’ boys.
Public-domain text, read in full here on John Shaqi.
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