Constantinople old and newDwight, H. G. (Harrison Griswold)
History
Constantinople old and new
Dwight, H. G. (Harrison Griswold)
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
If I were really to open the chapter of caïques I would never come to the
end. The word is a generic one, and applies to an infinity of boats, from
the stubby little single-oared _piadeh kaïk_ of the Golden Horn ferries
to the big _pazar kaïk_. You may admire this boat, and the carving that
decorates it, and its magnificent incurving beak, and the tassel that
should dangle therefrom, at the wharves of Yemish, off the Dried Fruit
Bazaar. They all come, early in the morning, from different villages on
the Bosphorus, rowed by men who stand to the heavy-handled oars and drop
with them to their backs. There are also caïques with sails, undecked
boats built on the lines of a fishing caïque, that bring fruit and
vegetables from the villages of the Marmora. They are prettier to look at
than to navigate, for they have no keel and their mainsail is a balloon,
to be pulled from one side to the other of a fearsome stick, boom and
gaff in one, that spears the heavens. The human part of the caïque has
its picturesque points as well. The sail caïques are navigated more often
than not by Greeks. As with fishing caïques, it depends on the village
they come from. The men of the bazaar caïques are all Turks, and none
of them ever saw a boat till he took ship for Constantinople. What is
odder yet, the same is true of most of the ordinary boatmen of the inner
Horn. Many of them are Laz; many others are Turkish peasants from the
hinterland of the Black Sea. Those from one village or district enter one
guild, serving a long apprenticeship before they can be masters of their
own craft.
[Illustration: Sailing caïques]
Another boundless chapter is that of the larger vessels that frequent
the inner Horn. You get an inkling of how boundless it is when you
stand on the bridge in front of Yeni Jami and look at the shipping that
crowds along the shores. A perfect museum of navigation is there. Modern
steamers lie beside the caravels of Columbus—as a matter of fact, the
Greeks still call them _karavia_—and motor-boats make way for vessels
whose build and rig can have changed very little since the days of the
Argo. One notable armada is anchored off Odoun Kapan, the wood market,
under the mosque of Süleïman, and the most notable part of it, for
me, is always made up of certain ships called _gagalî_ because their
bows have the curve of a parrot’s beak. They have two eyes, like the
_bragozzi_ of the Adriatic, and their tremendously tilted bowsprit starts
from a little one side of the bow. But what is most decorative about them
is the stern, a high triangle adorned with much painting and carving and
an open balustrade along the top, from either end of which a beam juts
out horizontally over the sea in the line of the hull.
[Illustration: Galleons that might have sailed out of the Middle Ages
anchor there now]
Public-domain text, read in full here on John Shaqi.
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