Constantinople old and newDwight, H. G. (Harrison Griswold)
History
Constantinople old and new
Dwight, H. G. (Harrison Griswold)
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
It is not the fashion to speak well of Pera and Galata. A good Turk
will sigh of another that he has gone to Pera, by way of saying that
he has gone to the dogs. A foreign resident will scarcely admit that
so much as the view is good. Even a Perote born pretends not to love
his Grande Rue if he happens to have read Loti or Claude Farrère. And
tourists are supposed to have done the left bank of the Golden Horn
when they have watched the Sultan drive to mosque and have giggled at
the whirling dervishes. A few of the more thorough-going will, perhaps,
take the trouble to climb Galata Tower or to row up the Sweet Waters of
Europe. For my part, however, who belong to none of these categories, I
am perverse enough to find Pera and Galata a highly superior place of
habitation. I consider that their greatest fault is to lie under the
shadow of Stamboul—though that gives them one inestimable advantage which
Stamboul herself lacks, namely the view of the dark old city crowned by
her imperial mosques. Pera—and I now mean the whole promontory between
the Golden Horn and the Bosphorus—Pera occupies a really magnificent
site, it has a history of its own, it contains monuments that would make
the fortune of any other town, and it fairly drips with that modern
pigment known as local colour. Who knows, it may even be destined to
inherit the renown of the older city. Stamboul tends to diminish, whereas
Pera grows and has unlimited room for growing. The left bank is already
the seat of the Sultan and of the bulk of the commerce and finance of the
capital. Moreover, the battles of the revolution fought there in 1909
give the place a peculiar interest in the eyes of the Young Turks. On
that soil, less encumbered than Stamboul with the débris of history, they
may find conditions more favourable for the city of their future.
Public-domain text, read in full here on John Shaqi.
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