Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
The most interesting fountains are those known as Sebil, generally pious
foundations, and next to the mosques and turbehs, the best specimens of
Oriental Art in the city. The finest example of this form of fountain is
the well-known Fountain of Sultan Achmed III. (1703-1730), which stands
to the east of S. Sophia, near the Grand Entrance to the Seraglio,
and which was designed by that Sultan himself. The fountains are
polygonal chambers; with broad, brightly-painted, wooden eaves; with
sides of gilded open iron work, or of marble slabs, over which carved
flowers and fruits are spread in profusion; and, often, surmounted by
fantastic little domes. Within, is found a tank from which a man keeps
full of water a number of metal cups, attached by chains to the iron
work, but accessible, through the openings in it, to every thirsty
wayfarer, without money and without price. The living, personal, human
element in this mode of distributing water is as impressive as the fairy
form of the monument. Furthermore, water-carriers, paid from the funds
which endow a fountain, go about the streets to give “the water of life”
freely to any person who asks for it.
To erect a public fountain is a very usual form of public benefaction
among Moslems, and is regarded as highly meritorious. It is common to
find, in the garden wall of Turkish mansions along the Bosporus, a
fountain opening on the side of the quay for the relief of any
passer-by, and especially of boatmen, who come on shore to tow their
craft against the current. To repair a fountain is also a work of merit;
an idea that, on one occasion, gave rise to a curious incident. The
fountain in a certain Turkish district, although very much the worse for
use, was for some reason left neglected by the community. Whereupon a
Christian neighbour proposed to put the fountain in order at his own
expense. The offer was welcome, but it raised a difficult question.
Would the original Moslem builder of the fountain not lose the merit of
having constructed it, if his work were restored by a Christian? Would
the Moslem community in the district not lose merit, for allowing the
fountain to be repaired by an alien in creed? And so the matter was laid
aside for consideration. At last it was settled to the satisfaction of
all parties on the following understanding. The Christian might be
allowed to execute the necessary repairs, if he renounced any merit for
doing so, and agreed that all the merit of the good deed should belong
to the original Moslem builder of the fountain. To this way out of the
difficulty, the Christian had no objection, and, after signing a legal
document to that effect, he was permitted to carry out his kind
intention.
Public-domain text, read in full here on John Shaqi.
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