But this feast of colour has ended, and the world of Turkish womanhood has exchanged the brightness of summer for the sober tints of autumn. The yashmak is now universally discarded, except by the ladies of the imperial household who are still required to wear it, as well as a black feredjé; the only bit of bright colour permitted being in the matter of the headkerchief of tulle they wear under the yashmak. In the costume of the mass of Turkish women, the feredjé has been replaced by the charshaf, a mantle worn over the head and about the body down to the feet, drawn in slightly at the waist. The material and the colour of the garment differ according to the means and taste of the wearer, but the colour is always quiet and subdued. To the portion of the charshaf above the eyes a dark veil is attached, and this can be worn over the face, or thrown back over the head, as the wearer pleases. When thrown back, a Turkish lady’s face is seen as plainly as that of her European sister. The charshaf may also be made of two pieces of cloth in order to secure a better fit, and although the garb might seem to defy artistic arrangement and effect, it is often very becoming and graceful. It would appear that the charshaf was the original dress of Turkish women, with the important difference from the present fashion that the veil could not be thrown back, and was furnished with two holes for the eyes, as among Moslem women to-day in Persia and India. The yashmak, it is said, came into vogue at the time of the Conquest, being an adaptation of the veil worn then by women of the Christian peoples of the land. Its abandonment for the sake of a style which permits greater freedom is a sign of progress. But the change, which was made some thirty years ago, roused considerable opposition. Merchants in the bazaars objected to it, because a charshaf required less material to be made up than a feredjé, and consequently injured trade. Others found fault with it simply because it was an innovation; while others feared that when worn with the veil down it might facilitate disguise in carrying on social or political intrigues. Nay, imperial iradès denounced and forbade the new mode. But all was in vain, for even in Turkey it is possible for women to have their own way. Nor is it only in their out-door dress that Turkish women have introduced alterations. They have done so likewise in their dress when at home. The baggy trousers, the embroidered vest and jacket, which constituted the costume in which a Turkish hanum reclined upon her divan, have been replaced, in the progressive section of Turkish female society, by garments after European fashions. A Turkish bride belonging to a wealthy family wears a wedding dress like that which adorns a young lady under similar circumstances in Western lands, the only difference being that the former allows her hair to hang down, and decorates it with long narrow streamers of tinsel, pieces of which