Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
At length, on Easter Monday 1204, Venetian ships approached so
near to the walls in the Phanar quarter that bridges attached to the
masts settled upon the parapet of the fortifications. Brave knights
rushed across, cut down the defenders, clambered down into the city, and
threw open the nearest gates. The blind Doge, ninety years old, leaped
upon the beach, with the banner of S. Mark in his hands, and summoned
his men to follow. The Emperor Murtzuphlus, who watched these operations
from the terrace of the Church of Pantepoptes, fled, and for the first
time in its history, Constantinople became the prize of a foreign foe.
[Illustration: GALATA AND STAMBOUL FROM EYOUB
From the cemetery at Eyoub, overhanging the Golden Horn at the upper
end, an attractive panorama is presented. On the right are the domes and
minarets of Stamboul stretching away to Seraglio Point; in the distance
is Mount Olympus on the Asiatic coast, while on the right are Galata,
Pera, and the Arsenal.]
The transportation of a fleet over the hill that rises some two hundred
and fifty feet between the Bosporus and the Golden Horn was a skilful
piece of strategy, and formed one of the most striking incidents in the
siege of 1453. By compelling attention to the safety of the walls along
the harbour, it extended the line of attack, and weakened the defence of
the landward walls. To effect the passage, a road was made through the
ravines leading from Beshiktash on the straits to Cassim Pasha on the
Golden Horn. On that road well-greased logs were laid, like the sleepers
on a railway, and then some seventy or eighty galleys, of fifteen,
twenty, or twenty-two pairs of oars, were placed in ships’ cradles and
dragged by men, oxen, and buffaloes, in the course of a single night, up
one slope and down the other, from sea to sea. The incongruous form of
navigation put everybody concerned in making the voyage into good
humour. Drums beat, fifes sounded, and to add to the zest of the
enterprise, the sails were unfurled, the oars were pulled, the rudders
set, as if the vessels were proceeding over their native element. But
the apparition of the enemy’s ships in the Golden Horn afforded no
amusement to the besieged. It increased immensely their anxiety and the
difficulties of their task. A brave attempt to burn the Turkish vessels
failed, and though the flotilla actually did little in the way of direct
attack, it remained a standing menace to the northern side of the city
until the close of the siege, a thunder-cloud keeping men in constant
dread of the bolts that might dart from its black bosom. Very
appropriately, the Turkish Admiralty stands on the shore of the bay in
which an Ottoman fleet first rode the waters of the Golden Horn.
[Illustration: GOLDEN HORN AFTER SUNSET
When all traffic ceases, caïques, lighters, steamboats, and craft of all
kinds are taken to their moorings and the waters are silent and
deserted.]
CHAPTER VI
ALONG THE LANDWARD WALLS
Public-domain text, read in full here on John Shaqi.
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