Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
Of course all the churches of the city were never contemporaneous. In a
city which had a life of more then eleven centuries, the list of almost
any class of edifices erected in the course of that period would
necessarily be a long one, without implying the existence of numerous
edifices of that class at one and the same time. According to the
description of Constantinople which dates from the first quarter of the
fifth century, the number of churches then in the city is given as only
fourteen. Churches appeared and disappeared, and while some of them
were, for special reasons, maintained throughout the whole course of the
city’s history, many came to flourish for a while and then decayed in
the ordinary course of things, bequeathing as their memorial only the
withered leaves of their names. Then we must remember the frequent and
disastrous earthquakes which shook the soil of Constantinople during the
Middle Ages, and the terrible conflagrations which again and again
reduced the wealth and glory and beauty of extensive tracts of the city
to dust and ashes. For example: the three fires associated with the
capture of the city by the Latins in 1203-1204 inflicted a blow from
which the city never recovered. One of those fires raged for a night and
a day; another for two days and two nights, with the result that almost
all the territory along the Golden Horn, as well as the territory
extending thence to the Hippodrome and the Sea of Marmora, as far away
as Vlanga, were turned into a wilderness of smoking ruins. “The fire,”
says Ville-Hardouin, a spectator of the awful scene, “was so great and
so terrible that no man could extinguish or check it. It was a sad and
pitiful spectacle for the barons of the army encamped on the other
side of the harbour to see those beautiful churches and those rich
palaces fall in and be destroyed, and great business streets burned by
the scorching flames; but they could do nothing. The fire spread beyond
the harbour across to the densest part of the city, quite close to S.
Sophia, and as far as the sea on the other side. It lasted two days and
two nights, without being ever touched by the hand of man, and the front
of the fire was fully half a league long. Of the damage done, or of the
property and wealth thus lost and consumed no estimate can be made, nor
of the number of men, women, or children who perished.” It is true that
churches injured by the hand of time were often restored. There were
even periods when such renovation was carried out on an extensive scale,
as for instance under Justinian the Great and under Basil I. (867-886).
But not less frequently the old fabric was so weakened by age or shaken
by earthquake that to repair it was out of the question, and the only
thing to be done was to use its stones and bricks and marbles as
materials in the construction of other buildings. Much of the material,
for instance, employed in the erection of the Tower of Isaac Angelus, in
Public-domain text, read in full here on John Shaqi.
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