Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
Turkish rule, and every ancient edifice which could not be turned to
better account was brought into requisition to provide ready-made
material for the new structures. During the reign of the Conqueror not
less than sixty mosques rose within the city bounds. The Fortress of the
Seven Towers, built in 1457, at the Golden Gate, was largely constructed
with materials taken from old buildings, as an examination of its walls
will prove. The first palace of the Sultan, on the site now occupied by
the War Office, must have played havoc among the Byzantine buildings,
secular and sacred, in that neighbourhood. While the palace which was
erected later, in the unrivalled situation at the head of the promontory
of Stamboul, encroached upon a territory crowded with such churches as
S. Demetrius, S. George Mangana, S. Mary Hodegetria, and S. Irene. All
were swept away, with the exception of the last, which was converted
from a temple of peace into an arsenal of war.
[Illustration: MARKET IN THE COURT OF THE MOSQUE OF SULTAN AHMED I.
The courts of the mosques are often used for market-places.]
The Turkish occupation is therefore accountable for the destruction of
many ancient churches of the city. Indeed, if we may believe the
historian of the Greek Patriarchate from 1453 to 1578, there was a
moment when the Christian community was threatened with the loss of
every church, old or new, in its possession. The graphic story is too
long to be told here in all its details, but it is so characteristic of
the parties concerned, and of the prevalent method (not yet quite
obsolete), of creating and turning a difficult situation, that a summary
account of the affair may be permitted. The scene is laid either in the
reign of Selim I. or of his son Suleiman the Magnificent, when the
Patriarch Jeremiah occupied the patriarchal throne for the second time.
And the play opens with the determination of a fanatical Turkish party
to insist upon the law that the inhabitants of a city captured by force
of arms should be denied the right of worship, and should have their
churches either confiscated or levelled to the ground. The
Sheik-ul-Islam of the day had issued his fetva to that effect, and in
five days the sentence was to be carried into execution. A high Turkish
official, who was in the secret, informed a Greek notable of the storm
at hand, and the latter reported the matter immediately to his
ecclesiastical chief. After much weeping and many prayers, the patriarch
mounted his mule and hastened to the residence of the Grand Vizier, with
whom, happily, he was on the best of terms. The result of a long
interview was that the patriarch was dismissed with an invitation to
attend the Council of Ministers, and inform them that, while it was true
that Sultan Mehemet attacked the city and destroyed a portion of the
fortifications, the Greek Emperor had not carried matters to the bitter
end, but went betimes to the Sultan, surrendered the keys of the city,
Public-domain text, read in full here on John Shaqi.
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