Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
Among the crowd of events witnessed under the dome of S. Sophia, there
are three scenes of paramount importance in the religious history of the
world that lend to the Great Church an extraordinary interest. The first
occurred on the day on which the envoys of Vladimir attended service in
the cathedral, and were so overwhelmed by the splendours of the worship,
that they hastened back to Russia to tell their sovereign that they had
seen the glory of the true God. “We know not,” they are reported to have
said, “whether we were not in heaven; in truth, it would be impossible
on earth to find such riches and magnificence. We cannot describe to you
all that we have seen. We can only believe that there in all likelihood
one is in the presence of God, and that the worship of other countries
is there entirely eclipsed. We shall never forget such grandeur.
Whosoever has seen so sweet a spectacle will be pleased with nothing
elsewhere.” The conversion of the Slavic peoples to the Christian faith,
a work commenced in the ninth century by the mission of Cyril and
Methodius to the Slavs of Bulgaria and Moravia, is one of the most
important services rendered by the Church of the Byzantine Empire to the
cause of European civilisation. So far as its political significance is
concerned, it can stand comparison with the conversion of the Teutons by
the Western Church. It accomplished what the victories of Zimisces
failed to achieve.
It was the moral conquest of Russia, and the source of her upward life,
until that country was opened also to the influence of Western
civilisation. It probably saved Russia from becoming a Mohammedan State.
The Slavic peoples rightly cherish a regard for Byzantine
Constantinople, similar to that which Western Europe feels for Athens
and Rome.
Public-domain text, read in full here on John Shaqi.
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