Constantinople, painted by Warwick Goble, described by Alexander Van MillingenVan Millingen, Alexander
Philosophy
Constantinople, painted by Warwick Goble, described by Alexander Van Millingen
Van Millingen, Alexander
Istanbul (Turkey) -- Description and travel; Istanbul (Turkey) -- History
In the political situation, in the matter of education both among the
Turks and the Christian populations, the changes are simply enormous.
This is, however, not the place to expatiate upon these serious topics,
although it is only by their consideration that the greatness and
far-reaching consequences of the new state of things can be properly
appreciated. But look at the change in the matter of dress. Where is now
the variety of costume, where the brightness of colour that made the
movement of the population at all times a procession in gala dress? So
far as her garb is concerned, a Turkish woman to-day is a sere and
withered leaf. She is almost a European lady, thinly disguised. And
where are the men who moved about, crowned with turbans, and attired in
long, coloured, flowing robes? You meet them occasionally on the street,
or see them gathered about the mosques, weary and tattered stragglers of
generations of men, whose mien and gait were the look and motion of
princes. Some one has said that the Turks committed a great mistake when
they adopted the European dress; for the change makes you suppose that
they have ceased to be Orientals, and are to be judged by European
standards in all respects. Too much is therefore expected of them.
Certainly the change has not improved their appearance. It has robbed
them of that quiet dignity and commanding air which imposed immediate
respect. The eagle is shorn of his plumes.
[Illustration: IN THE GRAND BAZAAR]
The Turkish pasha, for instance, is now a shadow of his former self.
What a master of men he looked when seated on a fine Arab horse and
glittering saddle-cloth, he rode slowly through the streets, accompanied
by a retinue of servants on foot, the crowd making way for him to pass
as though a king went by. What an incarnation of dignity he was when he
floated on the Bosporus in a caïque of five pairs of oars, two
servants squatting in front of him, with folded hands, in the bottom of
the boat; his pipe-bearer, behind on the poop, ready to present him with
a long-stemmed pipe of cherry or jasmine wood, surmounted by an amber
mouthpiece, adorned with diamonds. With the disappearance of such
things, there has been a sensible weakening of the awe which the ruling
race excited in the rest of the population. If any one wishes to
experience the fall, so to speak, in the temperature of the feeling of
awe produced by the change from an Oriental to a European garb let him
visit the Museum of the Janissary Costumes. What terror those costumes
must have inspired! Or let him visit the Imperial Treasury in the
Seraglio, and walk down the line of lay-figures attired in the costumes
worn by successive Sultans. The eye pays instant homage to every master
of the Ottoman Empire clad in native apparel. But when the figure of
Mahomet the Reformer, who swept away the janissaries and other old
institutions, is seen dressed in European clothes (except for the red
Public-domain text, read in full here on John Shaqi.
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