Constantinople: The Story of the Old Capital of the EmpireHutton, William Holden
History
Constantinople: The Story of the Old Capital of the Empire
Hutton, William Holden
Istanbul (Turkey)
To live close to such scenes was an education in Oriental politics.
Lady Mary lived still nearer to the outward show and pomp of the
Oriental despots. The state of the Sultans was reflected on the
ambassadors of powers with whom they desired to be friendly. When she
travelled from Selivria, along the shore of the Marmora, Lady Mary
and her husband had from the "Grand Signior" "thirty covered waggons
for our baggage, and five coaches for the country for my women." Of
the Sultan's own state she was most impressed, as travellers are
to-day, by the Selamlik. Thus she describes it:
"I went yesterday, along with the French ambassadress, to see the
Grand Signior in his passage to the mosque. He was preceded by a
numerous guard of Janizaries, with vast white feathers on their heads,
as also by the spahis and bostangees (these are foot and horse guards)
and the royal gardeners, which are a very considerable body of men,
dressed in different habits of fine lively colours, so that, at a
distance, they appeared like a parterre of tulips. After them the Aga
of the Janizaries, in a robe of purple velvet, lined with silver
tissue, his horse led by two slaves richly dressed. Next him the
kyzlier-aga (your ladyship knows this is the chief guardian of the
Seraglio ladies) in a deep yellow cloth (which suited very well to his
black face) lined with sables. Last came his Sublimity himself,
arrayed in green, lined with the fur of a black Muscovite fox, which
is supposed worth a thousand pounds sterling, and mounted on a fine
horse, with furniture embroidered with jewels. Six more horses, richly
caparisoned were led after him; and two of his principal courtiers
bore, one his gold, and the other his silver coffee-pot, on a staff;
another carried a silver stool on his head for him to sit on."
Her skill certainly lay chiefly in describing social functions or
eccentricities, and her description of S. Sophia--indeed she makes an
apology for her ignorance of architecture--shows a characteristic
absence of feeling or artistic knowledge. What she says of the mosque
of Suleiman however, is worth quoting.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account