Constantinople: The Story of the Old Capital of the EmpireHutton, William Holden
History
Constantinople: The Story of the Old Capital of the Empire
Hutton, William Holden
Istanbul (Turkey)
possessed and dared not leave the security of the sacred walls. The
churches of Pera and Galata, the buildings of the Patriarchate in the
Psamatia quarter seemed the only safe places. Of the numbers killed no
count can be given; two thousand certainly perished, but five thousand
has been declared to have been the total of the victims. For days the
dead-cart passed through the streets and the murdered Christians were
carried off with indescribable brutality to be cast into huge pits or
into the sea. It is impossible as yet to tell the full story. It seems
still like a horrible dream, a reminiscence of the worst terrors of
the Middle Age.
[Illustration: STREET IN GALATA]
The two acts of tragedy by which it has been attempted to destroy a
large, and that perhaps the richest and most progressive, part of the
population of Constantinople, emphasise an important historical
fact. Not only by the importations of Mohammed II., but gradually
during the four centuries and a half that have elapsed since the
Conquest, the population of Constantinople has changed its character.
Pera and Galata are the home of a mixed race, of whom every writer
says hard words, and of many nationalities still striving to preserve
their separate life. Greeks, Italians, Germans, French, English,
immigrants from the Balkan lands, are the most prominent, after the
Jews and the wealthy Armenians. The divisions that are to be seen in
the Orthodox Church, perpetuated by politicians for their own
purposes, are the reflection of the national and political divisions
that we pass through on our way to Constantinople and find there in
full force. Every league nearer to the city walls, as the railway
drags its tedious length, is a step nearer to barbarism; and Pera is
indeed but a poor outpost of civilisation. It has over it a veneer of
the West. As you walk through the streets you might think yourself in
an inferior Italian city; when you descend to Galata, down steep
streets, half stairways, you pass through the gate of the Middle Ages
into a town like any cosmopolitan seaport, crowded with sailors and
travellers of all nations.
The Galata bridge, the most wonderful pathway in Europe, with its
thousands of passengers in every strange garb, its Parisian carriages,
its Arab steeds bearing alert officers, its beggars, mollahs, white
turbaned and white coated toll-takers, its ceaseless stream of life
all day long, brings you to the harbour, the historic anchorage of
great ships for fifteen hundred years or more. "Eothen" has said once
for all what comes to mind as we gaze at that magnificent sight, life,
ships, walls, domes, minarets.
Public-domain text, read in full here on John Shaqi.
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