Constantinople: The Story of the Old Capital of the EmpireHutton, William Holden
History
Constantinople: The Story of the Old Capital of the Empire
Hutton, William Holden
Istanbul (Turkey)
"It is distinguished by indescribable beauty, excelling both in its
size, and in the harmony of its measures, having no part excessive and
none deficient; being more magnificent than ordinary buildings, and
much more elegant than those which are not of so just a proportion.
The church is singularly full of light and sunshine; you would declare
that the place is not lighted by the sun from without, but that the
rays are produced within itself, such an abundance of light is poured
into this church. _The Apse._--Now the head (πρόσωπον) of the church
(that is to say the part towards the rising sun, where the sacred
mysteries are performed in honour of God) is built as follows. The
building rises from the ground not in a straight line, but setting
back somewhat obliquely, it retreats in the middle into a rounded form
which those who are learned in these matters call semi-cylindrical,
rising perpendicularly. _Apsoid and Semidome._--The upper part of this
work ends in the fourth part of a sphere, and above it another
crescent-shaped (μηνοειδές) structure is raised upon the adjacent
parts of the building, admirable for its beauty, but causing terror by
the apparent weakness of its construction; for it appears not to rest
upon a secure foundation, but to hang dangerously over the heads of
those below, although it is really supported with especial firmness
and safety. _Exedras._--On each side of these parts are columns
standing upon the floor, which are not placed in a straight line, but
arranged with an inward curve of semicircular shape, one beyond
another like the dancers in a chorus. These columns support above them
a crescent-shaped structure. Opposite the east wall is built another
wall, containing the entrances, and upon either side of it also stand
columns, with stonework above them, in a half-circle exactly like
those previously described. _Great Piers and Arches._--In the midst of
the church are four masses of stone called piers (πεσσούς), two on the
north and two on the south sides, opposite and alike, having four
columns in the space between each pair. These piers are formed of
large stones fitted together, the stones being carefully selected, and
cleverly jointed into one another by the masons, and reaching to a
great height. Looking at them, you would compare them to perpendicular
cliffs. Upon them, four arches (ἀψῖδες) arise over a quadrilateral
space. The extremities of these arches join one another in pairs,
their ends resting upon the piers, while the other parts of them rise
to a great height, suspended in the air. Two of these arches, that is
those towards the rising and the setting of the sun, are constructed
over the empty air, but the others have under them some stonework and
small columns. _Dome and Pendentives._--Now above these arches is
raised a circular building of a curved form through which the light of
day first shines; for the building, which I imagine overtops the whole
Public-domain text, read in full here on John Shaqi.
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