Constantinople: The Story of the Old Capital of the EmpireHutton, William Holden
History
Constantinople: The Story of the Old Capital of the Empire
Hutton, William Holden
Istanbul (Turkey)
Architecturally the complication of the style, the many independent
domes, and the practical separation of the chapels from the central
church, illustrate the development of Byzantine architecture in its
later stages. In detail the beautiful acanthus carved in white marble
and carved right through is noticeable. There are also the fragments
of a splendid door, now used as jamb linings, the panels of which were
originally filled with sculpture. The Church of the Chora as we now
have it belongs to a veritable renaissance of Byzantine art, and that
most notably in its mosaics. The apse has a great picture of Christ
with the open Gospel in His hand. It is whitewashed over. The mural
paintings of the side chapels are of little interest; but the mosaics
in the narthex and outer narthex are by far the finest remaining
examples of the art now visible in Constantinople. Those in the outer
narthex represent the history of the B. V. Mary, a wonderful series of
glowing pictures in gold and colours. They are well worth minute study
of the designs, the dresses, and the colours.[61] But the most
striking of all is the splendid figure of Christ enthroned, with
Theodore kneeling to present to Him the renovated church. Theodore
wears the great cap conferred on him as a sign of dignity by
Andronicus II. The Lord, with the Gospel in His left hand, blesses
with the right hand, the thumb and two fingers joined, after the Greek
manner of benediction. It is a noble figure, restrained and solemn. No
longer, as in the earlier representations, is He represented as young
and beardless, but as a Man of middle life, the features and hair
approximating at least to the traditional portrait. But still, and
seemingly to the last in Constantinople, the early reticence which
prevented a representation of the Crucifixion remains. All through the
incidents of His earthly life He is followed by the artistic reverence
of the Byzantines; but His death remains unpictured. The other
separate representation of the Lord in this church shows Him blessing,
as the giver of life.
Public-domain text, read in full here on John Shaqi.
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