Constantinople: The Story of the Old Capital of the EmpireHutton, William Holden
History
Constantinople: The Story of the Old Capital of the Empire
Hutton, William Holden
Istanbul (Turkey)
It is a perpetual memorial of the vanity of human power. There, where
thousands of Turks are now laid to rest, where the stones gape above
the coffins placed a few feet below, and the strange lozenge-shapes
with their gaudy inscriptions lean and totter on every side; there
once crusading armies camped to sack a Christian city; and there the
soldiers of Mohammed mustered for the last fight which was to give
them the crown of their centuries of war. Huns, Avars, Bulgars, Goths,
men of Italy and Russia and Greece, all have passed; and the men who
have conquered where they fought and failed lie buried where once they
camped. On one side of the great imperial way stretches this vast
gloomy silent graveyard; on the other stand is the shattered wall.
In that long, broken, deserted wall the history of the great city
seems summed up. "Débris colossal du passé, elle nous diminue et nous
écrase, nous et nos existences courtes, et nos souffrances d'une
heure, et tout le rien instable que nous sommes."
FOOTNOTES:
[62] Inscription formerly on the outer wall between the fourth and
fifth towers south of the Golden Gate.
[63] These figures, and all the others, came from Professor Van
Millingen's exhaustive book.
CHAPTER V
_The Mosques, Türbehs and Fountains_
The mosques of Constantinople, as has already been shown, are very
largely buildings which had been churches in past days. The
inspiration felt so overpoweringly in the Church of the Divine Wisdom
still abides in the buildings erected by the Emperors of past days.
More open and evident still is the fact that the architects of the
mosques, built for Mohammedan worship since the Turks have ruled in
the city of the Cæsars, have done little more than copy the people
whom they have conquered. In most of the great mosques of Stambûl, S.
Sophia is simply and directly imitated. In others the leading idea is
developed with a variation or two. Of genuine originality the Turkish
architects have shown not a trace.
[Illustration: "MOHAMMED, THE APOSTLE OF GOD." EMBROIDERY FROM CURTAIN
OVER THE DOOR OF S. SOPHIA.]
The innumerable mosques of Constantinople are of two kinds, those
founded by members of the reigning dynasty, and those built by humbler
persons. Most of the mosques have a court with a fountain in the
midst. Many have houses, round kitchens, schools for children and for
students of the Koran, hospitals, and the dwelling of the imam. Nearly
all have türbehs, tombs of the royal family and of persons of great
distinction. All have of course the minaret, which to the traveller is
the most characteristic feature of the vast city. The ordinary mosques
have but one minaret, from which five times a day the voice of the
muezzin calls the faithful to pray. The royal mosques have more than
one minaret, S. Sophia and the mosque of Suleiman have four, the
mosque of Ahmed has six.
[Illustration: MOSQUE OF MOHAMMED II. FROM ENGLISH EMBASSY]
Public-domain text, read in full here on John Shaqi.
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