De Amicis, Edmondo, 1846-1908 -- Travel -- Turkey -- Istanbul; Istanbul (Turkey) -- Description and travel
lulled Ibrahim to sleep with their fairy-tales, and the forty maidens
who drank the third Murad’s blood, is there nothing left of them
all--not so much as a tress of hair, a thread from a single veil, an
imprint on the walls? For answer I saw a strange, weird vision far off
where the great trees grew thickest. Beneath the long shadowy arcades
I beheld a mournful procession: one after the other, in ghostly,
never-ending succession, they filed by--validéh sultans, sisters of
pâdishahs, _kadyns_, odalisques, slaves, children hardly arrived at
womanhood, middle-aged, old and white-haired, timid young maidens,
faces contorted with savage jealousy, rulers of an empire, favorites of
a single day, playthings of an hour, representatives of ten generations
and a hundred peoples--leading their children by the hand or clasping
them convulsively to their breasts. Around this one’s neck the noose
is still hanging; from that one’s heart sticks a dagger-hilt; the salt
waters of the Sea of Marmora drip from another’s clothes. Brilliant
with jewels, covered with dagger-thrusts, their faces contorted from
the action of poison or the long-drawn-out agonies of the Old Seraglio,
on they came, an interminable, mute, but eloquent procession, fading
away one after another in the gloom of the cypress trees, leaving
behind them a trail of faded flowers, of tears, and of drops of blood,
which swept over my heart in a great wave of indescribable horror and
pity.
Beyond the third enclosure there extends a long level stretch of
ground covered with a luxuriant vegetation and dotted over with pretty
little buildings, in the midst of which rises the so-called Column
of Theodosius, of gray granite, surmounted by a beautiful Corinthian
capital and supported upon a large pedestal, on one side of which may
still be traced the last two words of a Latin inscription which ran as
follows: “_Fortunæ reduci ob devictos Gothos_.” Here the elevated plain
upon which stands the great central rectangle of the Seraglio buildings
comes to an end; beyond, as far as Seraglio Point, and covering the
entire space between the walls of the three courts and the outer
boundary-walls, rose a great forest of plane trees, cypresses, pines,
laurels, and terebinths, all along the hillsides, and poplars draped
with vines and creepers, shading a succession of gardens filled with
roses and heliotropes, and laid out in the form of terraces, from which
wide flights of marble stairs led down to the shore.
Public-domain text, read in full here on John Shaqi.
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