De Amicis, Edmondo, 1846-1908 -- Travel -- Turkey -- Istanbul; Istanbul (Turkey) -- Description and travel
Now, however, all these things have faded into one another in my
memory. I only see the tiny black speck of my own insignificant self
wandering like a detached atom up and down those vast naves, between
two lines of diminutive Turks prostrated at their devotions. As I
move on, dazzled by the pervading whiteness, stupefied by the strange
light, awed and subdued by the immensity around me, dragging my worn
slippers--and my humbled pride as a descriptive writer as well--it
seems as though one mosque melted into another, and that all around
me in every direction there arose interminable ranks of roofs and
pilasters, a white illimitable throng in which sight and sense are
swallowed up.
My recollections of how I passed another day are full of mystery and
crowded with phantom shapes. Entering the courtyard of a Mussulman
private house, and descending by the light of a torch to the very
lowest of a flight of damp, mouldy stairs, I found myself beneath
the vaulted roof of the Yeri Betan Serai, the great cistern basilica
of Constantine, whose confines, according to vulgar belief in
Constantinople, are unknown; the greenish waters lose themselves in the
distance beneath the black roof, lit up here and there by a vivid ray
of light, which seems only to increase the horror of the surrounding
darkness. The crimson flame from our torch throws a lurid glare over
the arches nearest to us, falls in slanting rays upon the dripping
walls, and brings into view dim, confused tiers of columns intercepting
the perspective in all directions like the tree-trunks of some vast
submerged forest. The imagination, drawn on in spite of itself by a
sort of horrible fascination, penetrates those sepulchral galleries,
hovers above the face of those gloomy waters, and finally loses itself
amid the intricate windings of those endless columns. Meanwhile the
dragoman is murmuring in one’s ear blood-curdling tales of adventurous
persons who have embarked upon those waters and started off with the
intention of exploring their farthermost limits, only to return, long
hours afterward, with blanched faces and hair on end, while behind
them could be heard boisterous shouts of mocking laughter and piercing
shrieks, which echoed and re-echoed beneath the vaulted roof; and
others, again, who never returned at all, having met their end--who
knows how?--driven insane, perhaps, by terror, or possibly starved
to death, or drawn by mysterious currents to some unknown abyss far
away from Stambul, God only can tell where. Issuing once more into the
broad, sunny light of the At-Meidan square, all these gloomy fancies
at once take flight, and a few minutes later we again descend, and find
ourselves surrounded by the two hundred pillars of the dry cistern of
Binbûr, where a hundred Greek silk-spinners are singing a martial song
as they work in the pale, unearthly light broken by interlacing lines
of arches, while from overhead comes the dull, confused rumble of a
passing caravan.
Public-domain text, read in full here on John Shaqi.
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