De Amicis, Edmondo, 1846-1908 -- Travel -- Turkey -- Istanbul; Istanbul (Turkey) -- Description and travel
Any one whose gaze could have pierced through those different roofs and
domes would have looked upon many a contrasting scene. In one apartment
a sultana, leaning against the window, gazes mournfully between the
satin curtains at the blue mountains of Asia, thinking, possibly, of
her husband, a handsome young pasha, governor of a distant province,
who, in accordance with a certain practice, had been torn from her arms
after six short months of happiness, so that he might have no sons. In
another small room, entirely lined with marble and looking-glasses, a
pretty fifteen-year-old _kadyn_, who expects to receive a visit from
the Pâdishah during the day, is frolicking with the slaves who are
engaged in perfuming and anointing her, setting off her charms to the
very best advantage, and raising little flattering choruses of delight
and surprise at every fresh revelation of her beauty. Youthful sultanas
run up and down the walled gardens, chasing each other around gleaming
marble basins filled with goldfish, and making the shells with which
the paths are laid rattle beneath their tiny flying feet encased in
white satin slippers; others, shrinking back in the farthest corner
of darkened rooms with pale set faces and averted looks, seem to be
brooding over some act of despair or revenge. In one apartment, hung
with rich brocades, children who from the hour of their birth have
been condemned to death nestle upon satin cushions striped with gold
beneath walls of mother-of-pearl; beautiful princesses lave their
shapely limbs in baths of Paros marble; _gheduclùs_ lie stretched full
length upon rugs fast asleep; groups of slaves and servants and eunuchs
pass back and forth through covered galleries and dim corridors and
secret stairways and passages; and everywhere curious faces peering
from behind grated windows, mute signs interchanged between terrace
and garden, furtive signals from behind half-drawn curtains, low
conversations carried on in monosyllables in the shadow of a wall or
archway, broken by a ripple of half-suppressed laughter, followed by
the swish of feminine garments and patter of flying slippers dying away
among those cloister-like walls.
Public-domain text, read in full here on John Shaqi.
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