Contemporary American Composers: Being a Study of the Music of This Country, Its Present; Conditions and Its Future, with Critical Estimates and; Biographies of the Principal Living Composers; and an; Abundance of Portraits, Fac-simile Musical Autographs, and; CompositionsHughes, Rupert
History
Contemporary American Composers: Being a Study of the Music of This Country, Its Present; Conditions and Its Future, with Critical Estimates and; Biographies of the Principal Living Composers; and an; Abundance of Portraits, Fac-simile Musical Autographs, and; Compositions
Hughes, Rupert
Composers -- United States -- Biography; Music -- United States -- History and criticism
Another composer whose studies in technic have left him only a little
inclination for creation is Albert Ross Parsons, who was born at
Sandusky, O., September 16, 1847. He studied in Buffalo, and in New
York under Ritter. Then he went to Germany, where he had a remarkably
thorough schooling under Moscheles, Reinecke, Richter, Paul, Taussig,
Kullak, and others. Returning to this country, he has busied himself
as organist, teacher, and an editor of musical works. What little
music he has composed shows the fruit of his erudition in its
correctness.
Such men as Doctor Mason and Mr. Parsons, though they add little to
the volume of composition,--a thing for which any one should be
thanked on some considerations,--yet add great dignity to their
profession in this country.
Arthur, a younger brother of Ethelbert Nevin, shows many of the
Nevinian traits of lyric energy and harmonic color in his songs. He
was born at Sewickley, Pa., in 1871. Until he was eighteen he had
neither interest nor knowledge in music. In 1891 he began a four
years' course in Boston, going thence to Berlin, where his masters
were Klindworth and Boise. A book of four graceful "May Sketches" has
been published, "Pierrot's Guitar" being especially ingenious. There
are two published songs, "Were I a Tone" and "In Dreams," both
emotionally rich. In manuscript are a fine song, "Free as the Tossing
Sea," and a well-devised trio.
A successful writer of songs is C. Whitney Coombs. He was born in
Maine, in 1864, and went abroad at the age of fourteen. He studied the
piano with Speidel, and composition with Seiffritz, in Stuttgart, for
five years, and pursued his studies later in Dresden under Draessecke,
Janssen, and John. In 1887 he became organist at the American Church
in that city, returning to America in 1891, since which time he has
been an organist in New York.
In 1891 his publication begins with "My Love," an excellent lilt on
lines from the Arabian. Among his many songs a few should be noted:
the "Song of a Summer Night" is brilliant and poetic, and "Alone" is
marked by some beautiful contramelodic effects; his "Indian Serenade"
is a gracious work.
J. Remington Fairlamb has been a prolific composer. He was born at
Philadelphia, and at fourteen was a church organist. He studied at the
Paris Conservatoire and in Italy; was appointed consul at Zurich by
President Lincoln, and while in Stuttgart was decorated by the King of
Wurtemburg with the "Great Gold Medal of Art and Science" for a Te
Deum for double chorus and orchestra. Of Fairlamb's compositions, some
two hundred have been published, including much sacred music and parts
of two operas. A grand opera, "Leonello," in five acts, and a mass are
in manuscript.
Frank Seymour Hastings has found in music a pleasant avocation from
finance, and written various graceful songs. He has been active, too,
in the effort to secure a proper production of grand opera in English.
Public-domain text, read in full here on John Shaqi.
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