Contemporary American Novelists (1900-1920)Van Doren, Carl
History
Contemporary American Novelists (1900-1920)
Van Doren, Carl
American fiction -- 20th century -- History and criticism; Novelists, American -- 20th century -- Biography
From such arguments he turned aside to follow Mr. Masters into verse
with _Mid-American Chants_ and into scandal with _Winesburg, Ohio_. But
touching scandal with beauty as his predecessor touched it with irony,
Mr. Anderson constantly transmutes it. The young man who here sets out
to make his fortune has not greatly hated Winesburg, and the imminence
of his departure throws a vaguely golden mist over the village, which is
seen in considerable measure through his generous if inexperienced eyes.
A newspaper reporter, he directs his principal curiosity towards items
of life outside the commonplace and thus offers Mr. Anderson the
occasion to explore the moral and spiritual hinterlands of men and women
who outwardly walk paths strict enough.
If the life of the tribe is unadventurous, he seems to say, there is
still the individual, who, perhaps all the more because of the rigid
decorums forced upon him, may adventure with secret desires through
pathless space. Only, the pressure of too many inhibitions can distort
human spirits into grotesque forms. The inhabitants of Winesburg tend
toward the grotesque, now this organ of the soul enlarged beyond all
symmetry, now that wasted away in a desperate disuse. They see visions
which in some wider world might become wholesome realities or might be
dispelled by the light but which in Winesburg must lurk about till they
master and madden with the strength which the darkness gives them.
Religion, deprived in Winesburg of poetry, fritters its time away over
Pharisaic ordinances or evaporates in cloudy dreams; sex, deprived of
spontaneity, settles into fleshly habit or tortures its victim with the
malice of a thwarted devil; heroism of deed or thought either withers
into melancholy inaction or else protects itself with a sullen or
ridiculous bravado.
Public-domain text, read in full here on John Shaqi.
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