Contemporary American Novelists (1900-1920)Van Doren, Carl
History
Contemporary American Novelists (1900-1920)
Van Doren, Carl
American fiction -- 20th century -- History and criticism; Novelists, American -- 20th century -- Biography
_Moon-Calf_ is very beautiful. Felix has a poetic gift sufficient to
warm the record with fine verses and delicate susceptibilities upon
which his adventures leave exquisite impressions. Even when his
rebellion is at its highest pitch he wastes little energy in hating and
so avoids the astringency and perturbation of a state of mind which is
always perilous. To say Felix Fay is more or less to mean Floyd Dell,
for the narrative is obviously autobiographic at many points. But were
it entirely invention it would testify none the less to the affection
with which this novelist feels his world and the lucidity with which he
represents it. He has a genuine zest for human life, enjoying it, even
when it invites mirth or anger, because of the form and color and
movement which he perceives everywhere and particularly because of the
solid texture of reality of which he is admirably aware. Hatred closes
the eyes to a multitude of charms. If Mr. Dell suffered from it he
could never have enriched his fabric as he has with so many
circumstances chosen with an unargumentative hand; he could never have
extracted so much drama out of dusty people. Had he been a
sentimentalist he might have fallen into the soft processes of the local
color school when it came to portraying the various communities through
which Felix takes his way. Instead, the story is everywhere stiffened
with intelligence. Felix has no adventures more exciting than his
successive discoveries of new ideas. Even the women he loves fit into
the pattern of his career as a thinking being, and he emerges, however
moved, with a surer grasp of his expanding universe. That grasp would
lack much of its confidence if Mr. Dell employed a style less masterly.
As it is, he writes with a candid lucidity which everywhere lets in the
light and with a grace which rounds off the edges that mark the pamphlet
but not the work of art. He can be at once downright and graceful, at
once sincere and impersonal, at once revolutionary and restrained, at
once impassioned and reflective, at once enamored of truth and
scrupulous for beauty.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account