Contemporary American Novelists (1900-1920)Van Doren, Carl
History
Contemporary American Novelists (1900-1920)
Van Doren, Carl
American fiction -- 20th century -- History and criticism; Novelists, American -- 20th century -- Biography
Conventional readers had the thrill of being shocked and of finding an
opportunity to defend the customary reticences; ironical readers had the
delight of coming upon a host of witnesses to the contrast which irony
perpetually observes between appearance and reality; readers militant
for the "truth" discovered an occasion to demand that pious fictions
should be done away with and the naked facts exposed to the sanative
glare of noon. And all these readers, most of them unconsciously no
doubt, shared the fearful joy of sitting down at an almost incomparably
abundant feast of scandal. Where now were the mild decencies of
Tiverton, of Old Chester, of Friendship Village? The roofs and walls of
Spoon River were gone and the passers-by saw into every bedroom; the
closets were open and all the skeletons rattled undenied; brains and
breasts had unlocked themselves and set their most private treasures out
for the most public gaze.
It was the scandal and not the poetry of _Spoon River_, criticism may
suspect, which particularly spread its fame. Mr. Masters used an
especial candor in affairs of sex, an instinct which, secretive
everywhere, has rarely ever been so much so as in the American villages
of fiction, where love ordinarily exhibited itself in none but the
chastest phases, as if it knew no savage vagaries, transgressed no
ordinances, shook no souls out of the approved routines. Reaction from
too much sweet drove Mr. Masters naturally to too much sour; sex in
Spoon River slinks and festers, as if it were an instinct which had not
been schooled--however imperfectly--by thousands of years of human
society to some modification of its rages and some civil direction of
its restless power. But here, as with the other aspects of behavior in
his village, he showed himself impatient, indeed violent, toward all
subterfuges. There is filth, he said in effect, behind whited
sepulchers; drag it into the light and such illusions will no longer
trick the uninstructed into paying honor where no honor appertains and
will no longer beckon the deluded to an imitation of careers which are
actually unworthy.
Public-domain text, read in full here on John Shaqi.
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