Revenge for the dying emperor was long in coming. But now, after eleven centuries, the prophecy of Julian is accomplished: heroic antiquity, everlastingly young, arises from the grave. On all sides the gods are resurrected. Their marble effigies, so long buried, reappear. Both the powerful and the humble receive them with enthusiasm and rejoice at seeing them. It is an irresistible outburst which carries with it all classes of the Italian people. Like a wind-blown flame, Greek genius inspires a new life in the world. But, while a sweeter and more humane moral feeling tries to liberalize the church, the sombre voice of Savonarola, hardened by the terrible corruption of manners, mounts ever more menacingly: "Oh, Italy! oh, Rome! I am going to deliver you up into the hands of a people who will efface you from among the nations. I see them, the enemies who descend like hungry tigers.... Florence, what have you done? Do you want me to tell you? Your iniquity has heaped up the measure; prepare for a terrible plague! Oh, Lord, thou art witness that I tried to keep off this crumbling ruin from my brothers; but I can do no more, my strength is failing me. Do not sleep, oh, Lord! Dost Thou not see that we are becoming a shame to the world? How many times we have called to Thee! How many tears we have shed! Where is Thy providence? Where is Thy goodness? Where is Thy fidelity? Stretch forth Thy helping hand to us!" And thus the antagonism between the "God-man" and the "man-God" of Hellenic paganism expresses itself more strongly than ever before. The picture of the Renaissance that Merezhkovsky paints for us is very full, very rich, at times even a little overburdened with episodes and people. One constantly rubs shoulders with Leonardo da Vinci, the duchess Beatrice of Este, regent of Milan, the favorite Lucrecia Crivelli, the mysterious Gioconda, Charles VIII, Louis XII and Francis I, kings of France, and also with Caesar Borgia; we find here the preaching of Savonarola, the death of the pope Alexander VI (Borgia), Marshal Trivulce, the triumphal entry of the French into Milan, the diplomacy of Niccolo Machiavelli. In fact, as has been said above, there are too many events and characters. * * * * * Two centuries go by and now we come to the third novel, "Peter and Alexis." The scene is in Russia, and the hero is Peter the Great, whom Merezhkovsky represents as a worshipper of things Olympian. He gives a magnificent description of the orgies held by the emperor in honor of Bacchus and Venus, especially the latter, whose statue he expressly ordered from Rome and installed in the Summer Garden at St. Petersburg.