Continental Monthly, Vol. 4, No 3, September 1863: Devoted to Literature and National PolicyVarious
History
Continental Monthly, Vol. 4, No 3, September 1863: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
Where the land enchants, the sea intoxicates--its sparkle, its mobility,
its translucence excite the fancy, as wine does the blood--it combines
those elements which produce at once awe and ecstasy in the soul--the
unknown, the resistless, the beautiful. One may be melancholy by the
sea, but never morbid or supine. Between it and the land there are no
gradations; you do not come imperceptibly under its influence, as, in
ascending a mountain, you come into the cooler atmosphere; as you
approach, you are suddenly enveloped and animated by a crystalline,
vivifying element: this is the sea air; those saline qualities, so harsh
to the taste, prove a delicious stimulant in the lungs. The sea is
incommunicable--neither words, or canvas prepare you for it, as they may
often for landscapes; like Livingston's untutored savage, you are always
startled and overwhelmed at first sight of it; you feel, like him, an
impulse to leap into its waves. If you want to surrender yourself wholly
to the sea influence--to study it and assimilate your mind to all its
phases--you should choose, as was my fortune, a little fishing town, on
the shore, with a sheltered bay to the south and west and the ocean
eastward. Here you will find life stripped of care and conventionality;
idealized, seductive, and illusive, the days swinging from charm to
charm, like bubbles in the sunlight. On such a coast, Nature never
confuses her effects--no lively verdure or picturesque landscape
intrudes upon the majesty of the sea--only damp mosses and stout
creepers veil the harsh outlines of the rocks, and, in the distance,
masses of pine trees relieve the gray monotony of the shore--for the
rest, everything is left to the sun and the sea. There are a dozen
beaches, each distinct in its charm. Some firm, smooth, and white, as a
marble walk--others mere waves of sand, which the lightest breeze
whirls--and, others, where nature seems to have exhausted her wildest
caprice, piled with rocks, black, perilous, defiant, overlooking waters
whose solitude is never broken by a sail. It is these deep waters which
have that green tint so lustrous and subtle, and as unlike the heavy
green seen in most sea pictures as it is unlike grass; it is in more
sheltered nooks that the sea assumes that sapphire sheen more ineffable
than the sky which imparts it. As the color of the sea depends greatly
upon the disposition of the surrounding lands and the prevailing
condition of the atmosphere, each little inlet has some tint or effect
of light peculiar to itself. I have seen coloring as remarkable--I had
almost said as unnatural--as that indigo blue which we connect with the
AEgean sea. Indeed, one comes to believe anything possible in the way of
sea coloring, however brilliant, or however blank, after intimate and
close observation of even a small part of the ocean. I have often
fancied that these local features may have given rise to the idea of
Public-domain text, read in full here on John Shaqi.
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