Continental Monthly , Vol. 5, No. 6, June, 1864: Devoted to Literature and National PolicyVarious
Religion
Continental Monthly , Vol. 5, No. 6, June, 1864: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
She pounces upon him like a tigress, lifting the fragile form high in
the air, and dashing it down to the floor again with all her cruel
force. She shakes, she bites him, she rains blows upon the poor,
defenceless child, leaving prints of her vicious fingers all over the
poor little body wherever she touches the tender skin, marks of her
cruel nails on the delicate arms and hands, long, deep scratches from
which the blood exudes slowly. One last cruel blow hushes the suppressed
cries of pain and terror, the low moans for mercy, and lays the bruised
and quivering form senseless at her feet. Then the mad creature, crazed
with drink and passion, goes careering up and down the room, snatching
from table and bureau the costly trinkets with which they are adorned,
and wildly trampling them beneath her feet as she hurries to and fro.
She is so terrible to look upon, with that scarlet, bloated face,
distorted by passion, and the long, thick hair unbound hanging wildly
about it, and that baleful light in her bloodshot eyes, so terrible in
the frenzied excitement of look and motion, that Charley, who has crept
to the side of his prostrate brother, and is tenderly holding the
unconscious head, has no power to cry or move, but sits half frozen with
horror, with his great brown eyes wildly dilated, fixed in a species of
fascination upon the strange motions of that dreadful figure, and merely
in obedience to the instinct of self-preservation endeavors to shield
himself and his insensible charge from the heavy blows aimed at them as
she comes flying past. A few brief moments pass in this way, moments
which to that poor child, alone with that wild being, seem dreadful
hours of torturing length. Then the blessed sounds of coming relief fall
on his ear, footsteps are approaching, a man's firm, hurried tread and
woman's lighter but no less rapid step are heard through the hall below,
up the staircase--on, on they come, crossing the long upper hall,
pausing at the threshold. Then they try the door; swift, crushing blows
are rained upon it, the door is burst open, and they come rushing
distractedly in.
'Oh, pa! pa!' The tongue is loosed whose utterance fear has palsied, and
Charley stretches forth his hands to the strong arm of his earthly
saviour. One hasty glance around the room strewn with fragments of
costly toys, one look at the maniacal form in the centre with wildly
dishevelled hair, and leering, vacant face, then the anguished eyes fall
on _that_ for which they are searching, see the outstretched arms of the
little figure cowering in a corner half hid by the window curtain, see
that other figure lying at its feet, so livid and motionless, so
breathless, with the deathly face upturned, and the long brown lashes,
still wet with tears, resting on the marble cheeks.
Public-domain text, read in full here on John Shaqi.
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