Continental Monthly , Vol. 6, No. 1, July, 1864: Devoted to Literature and National Policy.Various
History
Continental Monthly , Vol. 6, No. 1, July, 1864: Devoted to Literature and National Policy.
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
The coal dust around one door shows that the fires are there; a
cavernous place, suddenly letting a lurid glow out upon the night, and
then black again. It is only a narrow alley through the building, making
sure of a good draft; on one side are the piles of coal, and on the
other a row of furnace doors. The stoker is sitting on a heap of
cinder. He is only an old man, a little stooping, with a head that is
turning ashes color; his eye is faded, and his face nearly
expressionless, while he sits perfectly still on the heap, as if he were
a part of the engine which turns slowly in a shed adjoining and pants
through its vent in the roof. He has been sitting there so long that he
has a vague notion that his mind has somehow gone out of him into the
iron doors and the rough coal, and he only goes round and round like the
engine. Yet he never considered the matter at all, any more than the
engine wanted to use its own wheel, which it turned month after month in
the same place, to propel itself through the world; just so often he
opened and shut each door in its turn, fed the fires, and then sat down
and sat still.
He was looking at a boy of six, asleep at his feet on a pile of ashes
and cinder, which was not so bad a bed, for the gentle heat left in it
was as good as a lullaby, and Shakspeare long ago told us that sleep has
a preference for sitting by hard pillows. The child was an odd bit of
humanity. An accident at an early age had given it a hump, though
otherwise it was fair enough; and now perhaps society would have seen
there only an animal watching its sleeping cub. Presently the boy woke
and got on his feet, and began to walk toward the cold air with short,
uncertain steps, almost falling against a furnace door. The old man
jumped and caught him.
'Ta, ta, Nobby,' he said, 'what's thou doin'? Them's hotter nor cender.
Burnt child dreads fire--did knowst 'twas fire?'
He had a sort of language of his own, and his voice was singularly
harsh, as if breathing in that grimy place so long had roughened his
throat.
'There, go, Nobby, look thee out an' see howst black she is. Ta, but
it's hawt,' and he rubbed his forehead with his sleeve; 'it's a deal
pity this hot can nawt go out where's cold, an' people needin' it.
Here's hot, there's cold, but 'twill stay here, as it loved the place
'twas born--home, like. Why, Net, that thee?'
There was no door to the place to knock at or open, but the craunch of a
foot was heard on the coal outside, and a girl came in, moist and
shivering. The stoker set her down in a warm corner, and looked at her
now.
'Is thee, my little Net?' he repeated.
'Yes, and I've brought your breakfast, father; 'twas striking six before
I come in.'
'Too early, my girl, sleep her sleep out. Here's hot an' cosey like, an'
time goes, an' I could wait for breakfast, till I'm home. I'll nawt let
my little girl's sleep.'
Public-domain text, read in full here on John Shaqi.
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