It is to be remarked, in studying collectively these outlaws as set forth by Scott, that while the same characteristic lies at the basis of each, there is very great variety in its development, and that the author seems to have striven to present it in as many widely differing phases as he was capable of doing. When we reflect that Scott himself could not be fairly said to be perfectly _at home_ in more than half a dozen departments of history, and yet that he has taken pains to set forth as many historical varieties of minds absolutely emancipated from all faith, and finally, when we recall that at the time when he wrote, the great proportion of the characteristics of these _dramatis personae_ were utterly unappreciated, and that by even the learned they were simply reviewed as 'infidels,' we cannot but smile at the care with which (like the sculptor in the old story) he carved his images, and buried them to be dug up at a future day by men who, as he possibly hoped, would appreciate more fully than did his contemporaries his own degree of forbidden knowledge. I certainly do not exaggerate the importance of these characters when speaking in this manner. They could not have been conceived without a very great expenditure of study and of reflection. They are, as I said, subjective, and such portraits of humanity always involve a vastly greater amount of penetrative and long-continued thought, than do the mere historical and social photographs which constitute the bulk of Scott's, as of all novels, and form the favorites of the mass of readers for entertainment.