Continental Monthly, Vol. III, No IV, April 1863: Devoted to Literature and National PolicyVarious
General
Continental Monthly, Vol. III, No IV, April 1863: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
[Footnote 10: OVID. _Metamorphoseon_, lib. xi. v. 183.]
[Footnote 11: Haec autem erat Gnosticorum doctrina ethica, quod omnem
virtutem in prudentia sitim esse credebant, quam Ophitae per _Metem_
(Sophiam) et Serpentem exprimebant, desumpto iterum ex Evangelii
praecepto; _estote prudentes ut serpentes_,--ob innatem hujus animalis
astutiam?--VON HAMMER, _Fundgruben des Orients_, tom. vi. p. 85.]
[Footnote 12: _New Curiosities of Literature._ By GEO. SOANE, London,
1849.]
[Footnote 13: _Developpement des Abus introduits dans la Franc
Maconnerie._ Ecossois de Saint ANDRE d'Ecosse, &c., &c. Paris, 1780.]
[Footnote 14: London. Truebner &. Co., No. 60 Paternoster Row. 1861.]
[Footnote 15: 'Tota haec humanae vitae fabula, quae universitatem naturae et
generis humani historiam constituit tota prius in intellectu divino
praeconcepta fuit cum infinitis aliis.'--LEIBNITZ, _Theodicaea_, part 11,
p. 149.]
[Footnote 16: Tickner and Fields' edition of Waverley Novels, Boston,
1858.]
[Footnote 17: _The Poetry of the East._ By WILLIAM ROUNSEVILLE ALGER.
Boston. Whittemore, Niles & Hall, 1856.]
A CHORD OF WOOD.
Well, New York, you've made your pile
Of Wood, and, if you like, may smile:
Laugh, if you will, to split your sides,
But in that Wood pile a nigger hides,
With a double face beneath his hood:
Don't hurra till you're out of your Wood.
A MERCHANT'S STORY.
'All of which I saw, and part of which I was.'
CHAPTER XIX.
The moon and the stars were out, and the tall, dark pines cast long,
gloomy shadows over the little rows of negro houses which formed the
rearguard to Preston's mansion. They were nearly deserted. Not a
solitary fire slumbered on the bare clay hearths, and not a single darky
stood sentry over the loose pork and neglected hoecakes, or kept at bay
the army of huge rats and prowling opossums which beleaguered the
quarters. Silence--death's music--was over and around them. The noisy
revelry of the dancers had died away in the distance, and even the
hoarse song of the great trees had sunk to a low moan as they stood,
motionless and abashed, in the presence of the grim giant who knocks
alike at the palace and the cottage gate.
A stray light glimmered through the logs of a low hut, far off in the
woods, and, making our way to it, we entered. A bright fire lit up the
interior, and on a rude cot, in one corner, lay the old preacher. His
eyes were closed; a cold, clammy sweat was on his forehead--he was
dying. One of his skeleton hands rested on the tattered coverlet, and
his weazened face was half buried in a dilapidated pillow, whose ragged
casing and protruding plumage bespoke it a relic of some departed white
sleeper.
An old negress, with gray hair and haggard visage, sat at the foot of
the bed, wailing piteously; and Joe and half a dozen aged saints stood
around, singing a hymn, doleful enough to have made even a sinner weep.
Public-domain text, read in full here on John Shaqi.
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