Contraband; Or, A Losing HazardWhyte-Melville, G. J. (George John)
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Contraband; Or, A Losing Hazard
Whyte-Melville, G. J. (George John)
England -- Social life and customs -- 19th century -- Fiction
Helen had suffered acutely. The girl's pride was humbled to the dust,
and even that infliction was not the worst. Her gods had deceived her,
and her idols proved to be but clay. Frank Vanguard's conduct was more
than fickle, more than heartless; it seemed actually brutal and unmanly!
Since her reply to the letter in which he asked her to become his wife,
he had never been near her, had held no communication with her family
nor herself, but had avoided them all with a persistence insulting as it
was unaccountable.
Whatever reasons he might have, she felt his conduct was utterly
inexcusable, and Helen endured that bitterest of all punishments, the
conviction not only that her love was without return, but that she had
bestowed it on an unworthy object; had misconceived the very nature,
mistaken the very identity of him whom she once felt proud to know so
thoroughly, whom she imagined no one thus knew but herself.
"I thought him so different!" In that simple sentence--said by how many,
and how bitterly!--lurked all the sorrow, all the humiliation, all the
despair. The man she loved had never really existed. She must teach
herself to forget this dream, this delusion, as if it had never been.
With woman's fortitude of endurance, woman's decency of courage, Helen
fought her battle, hid her wounds, and swallowed her tears, but the
struggle told on her severely. Sir Henry, cursing late hours and hot
rooms, talked of taking his daughter back to the country. Even Jin's
heart smote her when she marked the pale face, the drooping gestures,
the sad, weary looks; while Mrs. Lascelles, insisting on her own
treatment of a malady she was persuaded she alone could cure, took every
opportunity of administering amusement in large doses, and esteemed no
part of her regimen more efficacious than these long hours of heat,
glare, noise, imprisonment, and musical stupefaction, spent at the
Italian Opera.
Public-domain text, read in full here on John Shaqi.
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