Contraband; Or, A Losing HazardWhyte-Melville, G. J. (George John)
General
Contraband; Or, A Losing Hazard
Whyte-Melville, G. J. (George John)
England -- Social life and customs -- 19th century -- Fiction
She was an experienced angler, so perfect in the art that being in
earnest rather increased her skill than otherwise. The popularity of our
Italian Opera is not entirely due to its music, the best and the highest
paid for in Europe. Its boxes form also a convenient territory for the
prosecution of those skirmishes, which would become actual warfare but
for the nature of the ground on which they take place. There are fair
and dazzling visions, there are soft, sad sounds--most intoxicating when
softest and saddest. There is bright glare on others, semi-obscurity for
ourselves. There are sympathy, juxta-position, a common object of
interest, a necessity for whispers, and a propriety in absolute silence,
which is in itself the strongest possible stimulant to conversation.
Above all, there is a certain sentiment of isolation, the result of
being shut up together for a definite period, that renders people
mutually attractive; just as no man alive can accompany a woman,
however ugly, for a long sea voyage, and not fall in love with her to a
certainty.
"You don't, and you _know_ you don't!" whispered Jin, in answer to some
wild remark of Frank's, drowned for all ears but her own in an
outrageous crash of brass instruments. "Though, mind, I won't have you
fancy for a moment that I lump you in with the others, tie you all up in
a bunch, and label you 'poison.' No, I shall not give you my poor
gardenia. You'll take it on to Lady Clearwell's, I dare say. But it will
never get any farther than the first pretty woman you dance with. Water!
Pooh! It would wither, poor thing, and much you'd care for it, then!
Well, if you _really_ promise----No. I won't. I never did in my life,
and I won't begin! You needn't move, it's only Goldie. Now _that's_ a
faithful admirer, if you like!"
It was indeed none other but this devoted swain, who, meekly entering,
and paying homage stiffly enough to Mrs. Lascelles, seated himself
between that lady and Helen, but afforded the former far the largest
share of his attention and indisputable remarks on things in general.
The mistress of the box could not be said to be disappointed, though she
wished it was somebody else, for her glasses were even now fixed on that
somebody's drooping aristocratic old head, a dozen feet below her. Why
did he not come up? She owed him the less grudge for this neglect, that
she had a strong conviction Sir Henry Hallaton was fast asleep in his
stall.
Mrs. Lascelles stifled a sigh.
"It's up-hill work--very!" she said to her own heart. "And I'm making
this other poor fellow sadly wretched. He's like the people one reads
about in a novel. He never complains. I wish he would! I wish he'd scold
me well, and tell me what a beast I am!"
Public-domain text, read in full here on John Shaqi.
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