Contraband; Or, A Losing HazardWhyte-Melville, G. J. (George John)
General
Contraband; Or, A Losing Hazard
Whyte-Melville, G. J. (George John)
England -- Social life and customs -- 19th century -- Fiction
Jin would have studied this apparition perhaps more attentively, but
that her whole soul was projecting itself, as it were, through her
glasses, towards Frank Vanguard and his gardenia. She did not regret
giving it him now. She was falling horribly in love with him. How she
would have hated Helen, she thought, but that she could afford to pity
her!
I have said this enthusiast _really_ enjoyed an opera, loving _fine_
even more dearly than _pretty_ music.
Deferring, therefore, till to-morrow the laying of plans, calculation of
chances, that laborious train of reflection in which she knew too well
she must collect the resources of her head to attain the desire of her
heart, she sat back in her chair, and abandoned herself to one of those
dreams which are perhaps the most ecstatic of all visions vouchsafed to
us poor children of clay.
To repose unobserved in a corner, to drink in sounds of more than mortal
sweetness, on which the soul, linked to one dear image, like Paolo in
the arms of Francesca, floats away, away through the realms of space,
into the fabulous regions of unchanging, unadulterated love,--is not
this a happiness to which the joy of fruition, the content of security,
must seem sadly tame and insipid, to which the "sober certainty of
waking bliss" is but vulgar reality, clogging the wings of impossible
romance?
And now the performance drew to a close. The tenor had sung his _aria_
of triumphant villany, and his _solo_ of despairing remorse. The
_basso_, having cursed through the whole gamut in exceedingly correct
time, had fallen on his knees at the foot-lights, tearing a white wig,
after the approved pattern of King Lear. Priests, soldiers, friars,
courtiers, townsmen, stately nobles, and smiling peasant-girls, thronged
the entire depth of the stage, while above the motley crowd waved and
flaunted symbols of religion, spoils of warfare, and the banner of
France. The _prima donna_, venting shriek on shriek, with surprising
shrillness and rapidity, had died in convulsions of unusual energy, and
even repeated her demise, after an enthusiastic _encore_; the orchestra,
becoming louder, fiercer, faster, with each successive bar, had worked
up to the grand deafening and discordant crash, which is esteemed a
worthy _finale_ to all great compositions, and the curtain hovering to a
fall, glasses were cased, white shoulders cloaked, both on and off the
stage all acting was over, and the audience rose to go away.
Let us follow Mrs. Lascelles and her party, escorted only by the
constant Goldthred, as they leave their box to attain the stairs, the
crush-room, the carriage, and eventually the street.
Public-domain text, read in full here on John Shaqi.
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