Contraband; Or, A Losing HazardWhyte-Melville, G. J. (George John)
General
Contraband; Or, A Losing Hazard
Whyte-Melville, G. J. (George John)
England -- Social life and customs -- 19th century -- Fiction
She could hardly bring herself to believe in the reality of the last few
hours. The whole thing seemed wild and improbable as a dream. It was
dreadful to think she might wake up at any moment, to discover that she
had _not_ known Captain Vanguard for a few weeks; that she had _not_ set
her heart on him, during the last few days, till he had become the one
necessity of her existence; that she had _not_ sat by his side this very
evening in the gloomy back of an opera-box, and leant on his arm in the
crush-room, and gathered from his looks, his gestures, nay, from his
very words, that he loved her. _Her_, the outcast, the adventurer, the
woman warring and warred against, who had vowed vengeance for her
wrongs, on the whole of his base and treacherous sex. Ah! if she were
indeed to wake and find so cold a reality awaiting her, would it not be
better to end it all and go to sleep for ever? No; like a ray of light
through a cloud, like a breath of air in the noon-day heat, like the
song of a bird in a desert-place, came the recollection of her boy. What
had she done to be so blessed? To have found her child, to have found
her heart, to have found, even at the same moment, the love that makes a
woman humble, and the love that makes a woman proud! It seemed too much,
and, for a space, Jin was so happy that she felt almost good.
In such a frame of mind people's slumbers are light and easily
disturbed. Long before the maid came in to call her, Miss Ross was wide
awake, and shaping for herself a plan, to be facilitated, and even
rendered necessary, by subsequent events.
Breakfast at No. 40 was a late and unpunctual meal. It was laid in the
boudoir, and each lady dawdling into that apartment at her own time,
rang independently for the strip of dry toast and cup of coffee that
constituted her repast. Miss Ross, earlier than usual, was surprised to
find her hostess already down, making pretence of breakfasting, with
obvious want of appetite, and a restlessness of manner denoting that
uncomfortable state of mind which the sufferer calls "worry," and the
bystander "fuss."
Jin entered radiant. Fresh from her bath and morning toilet, she had
even a tinge of colour in her cheek, the one thing usually wanting to
complete her beauty. There was a light, too, dancing in her eyes, a
buoyancy in her step and gesture, a sparkle, as it were, of joy and
triumph in her whole bearing, that did not escape the notice of her
friend.
"Late hours seem to suit you, my dear," said Mrs. Lascelles languidly.
"I never saw you looking so well."
"I am a fool about music," answered the other demurely, "and I did enjoy
the opera last night more than I can describe."
"The opera," asked Mrs. Lascelles quietly, "or the company?"
Jin must have been hard hit, for she actually blushed.
"Both, of course," was her reply. "Everything is pleasanter, I suppose,
when it's done with pleasant people."
Public-domain text, read in full here on John Shaqi.
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