Contraband; Or, A Losing HazardWhyte-Melville, G. J. (George John)
General
Contraband; Or, A Losing Hazard
Whyte-Melville, G. J. (George John)
England -- Social life and customs -- 19th century -- Fiction
Mrs. Lascelles never doubted her power over any one on whom she chose to
exert it, and believed that, like a spider, she need only spin her web
in order to surround the desired bluebottle inextricably with its toils.
In hers, as in similar cases, I imagine that to break boldly through the
meshes was the insect's best chance of turning the tables, and taking
the custodian herself into custody.
"Miss Ross goes with you?" asked Sir Henry meditatively, though I
believe he was thinking less of that black-eyed syren than of his
daughter.
"Miss Ross goes with me, undoubtedly," was the answer, spoken rather
sharply, and in some little displeasure. "Have you any objection? Can't
you bear to part with her even for so short a period? You see, I know
all about _that_, too."
Sir Henry never seemed to have any sense of shame. He couldn't have
blushed to save his life. To this callousness he owed many of his
successes, and almost all his scrapes.
He smiled pleasantly. "You know all about everything, I believe," said
he; "and you _think_ you know all about _me_. But you don't, and I
don't; and nobody does, I fancy. I'm so different from what I feel sure
I was intended to be, that I sometimes suspect, like the Irishman, they
'changed me at nurse.' Only, if I _were_ somebody else, that wouldn't
account for it, after all, would it? These are puzzling speculations;
but I know I _could_ have been a better and a very different man. It's
not my fault."
"Whose, then?" she asked, bending her blue eyes on him with an
expression of interest extremely dangerous for a man at any age.
He scarcely marked it. He was searching out the truth for once from the
depths--not very profound--of his world-worn heart, and had forgotten
during the moment that false and fleeting woman-worship which had so
weakened and deteriorated his nature. Looking back along the path of
life on which, as in some idolatrous grove, his every step had been
marked by a soulless image of brass, or stucco, or marble, reared only
to be defaced and overthrown, he was scarcely conscious of that lovely
living companion, listening with all the attention of curiosity and
self-interest to his retrospections.
Public-domain text, read in full here on John Shaqi.
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