Contraband; Or, A Losing HazardWhyte-Melville, G. J. (George John)
General
Contraband; Or, A Losing Hazard
Whyte-Melville, G. J. (George John)
England -- Social life and customs -- 19th century -- Fiction
that he was no worse.
Mrs. Lascelles did, indeed, get hold of some idle tale about Uncle
Joseph's attentions to a fascinating widow, also gouty, and of a brisk
flirtation carried on by the enamoured couple, each in a Bath chair. Her
informant stated, with what degree of truth I cannot take upon me to
affirm, that this promising affair only exploded from the indiscretion
of Mr. Groves, who, possessing himself of the lady's hand in the warmth
of his protestations, unadvisedly seized the gouty one, and inflicted
such pain, that she called out loudly before the whole Parade. But as
this piece of tittle-tattle was related to his kinswoman by a lady, who
heard it from another lady, who had seen it in the letter of a third, I
submit it is not evidence, neither has it anything to do with the
present history. On Mrs. Lascelles herself the disappearance of so firm
a friend and confederate produced an effect that rendered her more than
usually open to sympathy, and eager for consolation. She felt less
confidence than heretofore in herself and her own resources. Solitude
was bad enough, and doubly dispiriting after the society of so lively a
companion, but the sense of having been deceived with her eyes open was
worse than all. Occasional twinges of remorse, too, tormented her sadly,
reminding her that she had spoken out so freely to one whom she ought to
have been very careful of offending as dependent on herself. Of course,
too, she put off her trip to Brighton, and her London engagement-book,
originally compiled by Jin, naturally got into confusion, when deprived
of that lady's supervision. Altogether Mrs. Lascelles felt keenly the
want of somebody to lean on, and caught herself more than once thinking
of her loneliness and her staunch admirer, Mr. Goldthred, with tears in
her eyes!
Public-domain text, read in full here on John Shaqi.
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