Contraband; Or, A Losing HazardWhyte-Melville, G. J. (George John)
General
Contraband; Or, A Losing Hazard
Whyte-Melville, G. J. (George John)
England -- Social life and customs -- 19th century -- Fiction
"I haven't remarked it. To be sure I've not seen him lately. He used to
have very good spirits as far as I recollect."
"He's not been the same man since Jin disappeared," said Mrs. Lascelles,
with malice prepense, no doubt, but possibly "cruel only to be kind."
"Yet I'm by no means clear he had anything to do with that most
mysterious business. He never could have shammed ignorance so naturally
when we all consulted together, though I must say he seemed the least
anxious of the party. I used sometimes to fancy he liked her, and
sometimes I fancied it was somebody else. I think so still. What do
_you_ say, Helen?"
But Helen changed the subject, skilfully diverting her companion's
thoughts to her approaching marriage, a topic of so engrossing a nature,
that it lasted all the way to London, and was not half exhausted when
interrupted by the _fiancée's_ characteristic exclamation, as their
train glided smoothly alongside the platform:
"What a goose he is! I knew he'd come to meet us! How pleased he'll be
to see I've brought you. Helen, he's a dear fellow. He's as good as
gold!"
He was as good as gold. Subject to the touchstone of happiness,
Goldthred's character came out like a picture lit by gas. The tints were
brighter, the lines more firmly marked, there appeared more depth, more
meaning, more force and character in his whole composition, and Mrs.
Lascelles, who had begun by pitying as much as she loved him, found the
pity changed to respect, and the love grown stronger than ever. She was
proud of him now, while he, exulting in the distinction, strove all the
more to continue worthy of her good opinion.
Surely on earth there is no incentive to virtue so powerful as the
entire affection of that one being who represents our ideal of some
purer and higher sphere. The idol is mere clay, no doubt, but the divine
spark exists at least in the worshipper; and it may be that the stubborn
human heart, now in a dream of joy, now in an agony of suffering, is
thus trained and taught to look up from the limited and imperfect
creature, to the boundless attributes of the Creator.
After her late excitement and distress, Helen had much need of rest,
both for body and mind. At No. 40 she found herself in a secure and
peaceful haven, where even during the flood-tide of a London season, she
might have
"Listened to the roar
Of the breakers on the bar outside that never reach the shore,"
but where in the hot dull autumn, when everybody was out of town, she
could remain perfectly tranquil and undisturbed, with Mrs. Lascelles to
humour her like a child, and Goldthred always ready to anticipate her
lightest wish.
It did not take many days, before the firmness had returned to her step,
the light to her eyes, and she was once more the "belle Helen," as Mrs.
Lascelles loved to call her, with a vague notion the title was extremely
classical and correct.
Public-domain text, read in full here on John Shaqi.
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