Contraband; Or, A Losing HazardWhyte-Melville, G. J. (George John)
General
Contraband; Or, A Losing Hazard
Whyte-Melville, G. J. (George John)
England -- Social life and customs -- 19th century -- Fiction
Both women were silent, Kate turning away to cry passionately. In a few
minutes she recovered herself, pressed her lips fiercely to the child's
cold hand lying helpless on the bed-clothes, again to Jin's pale,
sorrowing brow, and so departed, with a promise, in a husky, choking
whisper, of returning speedily, and an entreaty that she might be sent
for at a moment's notice if she were wanted.
So the mother was left alone with her dying child. She had not shed a
tear--no--though the other woman wept without restraint; that infection,
usually so irresistible, had failed to reach her now. Her eyes were dry,
her face cold and fixed like marble. Mechanically she moved about the
room, arranging the furniture, straightening the sheets, smoothing the
pillows, mixing a cooling drink for the poor pale lips that would never
drink again. Then, as in unconscious routine she watered the mignionette
at the window, she caught her breath with a great gasp, her face worked
like that of a woman in convulsions, and she burst into a fit of weeping
that seemed intense relief for the moment, and rendered her capable of
enduring the worst, which was yet to come.
In such paroxysms memory seems, as it were, to lift us out of the
present, and furnishing us with a new sense--keen, subtle, and
intense--throws our whole existence back once more into the past. Again
she was nursing Gustave under the poplars in Touraine; again she was
impressing on a homely peasant-woman, at Lyons, the care and culture of
her darling; again she mourned for his loss and rejoiced in his
recovery, staring with incredulous pleasure to recognise him on the road
to Ascot, thrilling with a mother's holiest instincts to fold him to her
breast in the old cottage by the riverside. Her troubles, her intrigues,
her love, her rivalry, Picard, Frank Vanguard, Helen herself, were
forgotten; no human interest, no earthly image, came between her and her
dark-eyed boy.
It seemed impossible he could be dying. Dying? Oh, no! or why had he
been given back to her before? Was there no Providence? Was it only
blind chance that thus juggled with her? She thought of women she had
known in her earlier years--_femmes croyantes_, as they called
themselves--their penances, duties, attendance at mass, frequent
confessions, and the courage with which they boasted their religion
enabled them to accept every trial--till it came.
Pain was lashing her into rebellion. She roused herself. She dashed her
tears from her eyes. "Bah!" she exclaimed; "if he gets well, I will be
like these. Why not for me also a miracle? What have I done that I am to
be so tortured?"
A weak voice called her from the bed. "Maman," it murmured, in the dear
French accents of its infancy, "embrasse-moi donc, puis ce que je ne te
vois plus."
She laid her head--the two black comely heads together--on the pillow by
his side. The hope that had flickered for a moment died out for
evermore. Not see her! and it was broad noon of the golden summer day!
Public-domain text, read in full here on John Shaqi.
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