Contraband; Or, A Losing HazardWhyte-Melville, G. J. (George John)
General
Contraband; Or, A Losing Hazard
Whyte-Melville, G. J. (George John)
England -- Social life and customs -- 19th century -- Fiction
I wonder, for my part, that the Danish maid could resist him."
"Oh, I don't!" answered Frank. "Danish maids are pretty tough, I should
think; spotted too, probably, like Danish dogs. Who did you say the
fellow was, and what did he brush?"
"I said he was a soldier," replied Miss Ross demurely. "Most likely a
mounted volunteer."
"And who was the lady?--the Danish maid, I mean."
"I don't know--I wish _I_ was!" she answered, with a sigh.
Frank pondered, resting on his oars. It was not this young officer's
habit to puzzle his wits unnecessarily in the solution of intricate
problems, and whatever genius he possessed was in no way akin to that of
a mathematician, who takes pleasure in the actual process by which
results are worked out. To ride a comrade's horse "truly through" in a
steeple-chase, to make the most of his own in a run, to lead his
squadron straight, and as fast as his colonel would permit, to have his
troop at the highest possible pitch of efficiency, befriending the men,
pacifying their wives, and keeping an especial eye on buckles, to drive
the regimental coach without "putting it over," and never to turn his
back on a friend, comprised the simple articles of his creed; nor, until
he met Helen Hallaton at her father's house, had it ever entered his
head there could be an interest in life more engrossing than regimental
duty and field-sports. But he was learning to _think_ now, and, like all
beginners, found himself somewhat at sea in the process.
What was this strange, subtle intoxication of the brain, rather than the
heart, which stole over him so gently, while he looked in that pale,
eager, restless face, not a yard off, over the stretcher yonder, turned
so wistfully towards his own, while he caught the tones of that low,
pleading voice, blending so musically with the jerk of his oars, the
leap and gurgle of the stream beneath his prow? Was this the enchantment
he had a vague recollection of as practised by the Syrens in his
school-books, by the Mermaidens of nursery lore, by the Ondines and
Lurlines, the Wilis and Walpurgis of the stage? Must he learn so soon,
while yet in the flush of youth and hope, that the coquette is immortal
as the vampire, equally thirsty, tenacious, and insatiable? Was this the
same mysterious influence exercised on him by Miss Hallaton? or was it
not rather a dazzling and illusive imitation, resembling truth as the
scenery of a theatre resembles Nature's landscapes; its tinsel and
glitter, the splendour of real gems and gold? Well, it was no use
troubling one's head about these matters. If you once begin analysing,
what becomes of everything we call pleasure? Who would drink wine if he
knew how it was made, or, indeed, a glass of pure water, if he reflected
on the mingled gases and impurities of which that innocent element is
composed?
Public-domain text, read in full here on John Shaqi.
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