In his furnishing, Colin had broken away from conventional tradition.
Here were no rugs hung from balconies, no rich stuffs and suits of
armor. It was simply a cool little place, with a big window
overlooking one of the parks. Its walls were tinted gray, and there
were a few comfortable rattan chairs, with white linen cushions. A
portrait of Delilah dominated the room. He had painted her in the
costume which she had worn at the garden party--in all the glory of
cool greens and faint pink, and heavenly blue.
Porter surveying the portrait said, slowly, "You said that you had
painted--other women?"
"Yes--but none so satisfactory as Miss Jeliffe."
"There was the little saint--in red."
"You remember that? It is just a small canvas."
"You said you'd show it to me."
Colin, rummaging in a second room, called back, "I've found it, and
here's another, of a woman who seemed to fit in with a Botticelli
scheme. She was the long lank type."
Porter was not interested in the Botticelli woman, nor in Colin's
experiments. He wanted to see Roger Poole's wife, so he gave scant
attention to Colin's enthusiastic comments on the first canvas which he
displayed.
"She has the long face. D'you see? And the thin long body. But I
couldn't make her a success. That's the joy of Delilah Jeliffe. She
has the temperament of an actress and simply lives in her part. But
this woman couldn't. And lobster suppers and lovely lank ladies are
not synonymous--so I gave her up."
But Porter was reaching for the other sketch.
With it in his hand, he surveyed the small creature with the angel
face. In her dress of pure clear red, with the touch of gold in the
halo, and a lyre in her hand, she seemed lighted by divine fire, above
the earth, appealing.
"I fancy it must have been the man's fault if marriage with such a wife
was a failure," he ventured.
Colin shrugged. "Who can tell?" he said. "There were moments when she
did not seem a saint."
"What do you mean?" Porter's voice was almost irritable.
"It is hard to tell," the little artist reflected--"now and then a
glance, a word--seemed to give her away."
"You may have misunderstood."
"Perhaps. But men who know women rarely misunderstand--that kind."
"Did you ever hear Roger Poole preach?" Porter asked, abruptly.
"Several times. He promised to be a great man. It was a pity."
"And you say she married again."
"Yes, and died shortly after."
The subject ended there, and Porter went away with the vision in his
mind of Roger's wife, and of what the picture of the little saint in
red would mean to Mary Ballard if she could see it.
The thought, having lodged like an evil seed, grew and flourished.
Of late he had seen comparatively little of Mary. He was not sure
whether she planned deliberately to avoid him, or whether her work
really absorbed her. That she wrote to Roger Poole he knew. She did
not try to hide the fact, but spoke frankly of Roger's life in the
pines.
Public-domain text, read in full here on John Shaqi.
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