Of course Gordon has asked some questions, and I have told what I
thought should be told. I hope that you won't feel that I have been
unwise. I thought it best to start straight, and then there would be
nothing to hide.
And now may I tell you a little bit about Barry? They want him to go
away--back to England with Gordon and Constance. You see Gordon looks
at it without sentiment. Gordon's sentiment stops at Constance. He
thinks that Barry should simply give Leila up, go away, and not come
back until he can show a clear record.
Of course I know that Gordon is right. But I can't bear it--that's why
I haven't been able to face things with quite the courage that I
thought I could. But since my talk with Grace, I am going to look at
it differently. I shall try to feel that Barry's going is best, and
that he must ride away gallantly, and come back with trumpets blowing
and flags flying.
And that's the way you must some day come into your own.--I like to
think about it. I like to think about victory and conquest, instead of
defeat and failure. Somehow thinking about a thing seems to bring it,
don't you think?
Oh, but this is such a long letter, and it is gossipy, and scrappy.
But that's the way we used to talk, and you seemed to like it.
And now I'll say "Good-night." Pittiwitz waked up a moment ago, and
walked across this sheet, and the blot is where she stepped on a word.
So that's her message. But my message is Psalms 27:14. You can look
it up in father's Bible--I am so glad you took it with you. But
perhaps you don't have to look up verses; you probably know everything
by heart. Do you?
Sincerely ever,
MARY BALLARD.
_Among the Pines._
My good little friend:
I am not going to try to tell you what your letter meant to me. It was
the bluebird's song in the spring, the cool breeze in the desert,
sunlight after storm--it was everything that stands for satisfaction
after a season of discomfort or of discontent.
Yet, except that I miss the Tower Rooms, and miss, too, the great
happiness I found in pursuing our friendship at close range, I should
have no reason here either for discomfort or lack of content--if I feel
the world somewhat barren, it is not because of what I have found, but
because of what I have brought with me.
I like to think of you in the Tower Rooms. You always belonged there,
and I felt like a usurper when I came and discovered that all of your
rosy belongings had been moved down-stairs and my staid and stiff
things were in their place. It is queer, isn't it, the difference in
the atmosphere made by a man and by a woman. A man dares not surround
himself with pale and pretty colors and delicate and dainty things,
lest he be called effeminate--perhaps that's why men take women into
their lives, so that they may have the things which they crave without
having their masculinity questioned.
Public-domain text, read in full here on John Shaqi.
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