Copyright: Its History and Its LawBowker, R. R. (Richard Rogers)
History
Copyright: Its History and Its Law
Bowker, R. R. (Richard Rogers)
Copyright -- History; Copyright -- United States -- History
{Sidenote: Literary merit not requisite}
The doctrine that copyright does not depend on literary merit, was
strengthened in a dramatic case in Henderson _v._ Tompkins in 1894, in
the U. S. Circuit Court in Massachusetts by Judge Putnam, who held that
a paraphrase of "I wonder if dreams come true," from "Ali Baba,"
constituted an infringement, though the offending piece had slight
literary merit.
{Sidenote: What is a dramatico-musical composition}
As to what is a musical composition, the term defines itself. But the
phrase "dramatico-musical compositions," as used in the American code,
bristles with perplexities, not altogether solved by the definitions of
the Copyright Office Rules, above cited. It means, of course, music and
drama in association, but in this combination the definition of the
dramatic side is peculiarly difficult. Whether a dance, ballet or other
choregraphic work, with or without music, is included, is a mooted
question. In 1892, in Fuller _v._ Bemis, where the plaintiff sought to
protect a skirt dance of which she had filed a description for copyright
as a dramatic composition, Judge Lacombe, in the U. S. Circuit Court in
New York, held that: "It is essential for a dramatic composition to tell
some story. The plot may be simple, it may be but the representation of
a single transaction; but it must repeat or mimic some action, speech,
emotion, passion, or character, real or imaginary. A series of graceful
movements, combined with an attractive arrangement of drapery, lights,
and shadows, telling no story, portraying no character, depicting no
emotion, is not a dramatic composition." This view is adopted in the
Copyright Office Rules and defines accepted American practice, but is
not consonant with English and international views.
{Sidenote: The new British code}
The new British measure is definitely comprehensive and specific in
including as a dramatic work "any piece for recitation, choregraphic
work or entertainment in dumb show the scenic arrangement or acting form
of which is fixed in writing or otherwise, and any cinematograph
production where the arrangement or acting form or the combination of
incidents represented give the work an original character."
{Sidenote: Protection of playright}
Public-domain text, read in full here on John Shaqi.
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