Copyright: Its History and Its LawBowker, R. R. (Richard Rogers)
History
Copyright: Its History and Its Law
Bowker, R. R. (Richard Rogers)
Copyright -- History; Copyright -- United States -- History
concerning copyrights and patents, the very object of which is to give
monopolies."
{Sidenote: Limit only in term}
Copyright being in essence a monopoly giving to the copyright proprietor
"exclusive rights," as the Constitution provides, the only limitation
upon it should be that indicated in the Constitution which confines
protection to "limited times." The opponents of copyright have
frequently taken the course of falling back upon the plea that in the
interests of the public the author should not have exclusive right to
his writings and to manage his own affairs, but that Congress should
prescribe how he should market his property. This commonly takes shape
in the licensing scheme known in England as the Farrer plan and in
America as the Pearsall-Smith plan, with respect to books; and in the
passage of the "international copyright amendment" of 1891 this plan was
made the basis of attack upon the measure. An analysis of the scheme as
presented by R. Pearsall-Smith of Philadelphia is given by G. H. Putnam,
from the book publisher's point of view, in the "Question of copyright."
In the work on "The law and history of copyright," by Augustine Birrell,
a member of the present British cabinet, this plan is characterized as a
"preposterous scheme." In the case of a book, for instance, a publisher
often suggests to the author the general idea of the book, so that it
would be doubly unjust to permit any other publisher to issue that book
on the compulsory license scheme; and this might hold true, although to
less extent, in other fields of copyright. In any event, the original
publisher makes large investment not only in type-setting, printing, and
binding a book, or in the publishing of any other work, but in
advertising and making a market, and that a rival publisher should have
the benefit of this market without paying the cost is a violation of the
very essence of property. This scheme, however, is applied, in a limited
way and as a compromise, respecting mechanical music, in the American
code of 1909, and constitutes its most serious defect. There is
question, indeed, whether the compulsory license and fixed price may not
be an unconstitutional provision. This matter is more fully discussed in
later chapters.
{Sidenote: Altered theory of copyright}
It should be noted that whereas the previous American law required
certain statutory formalities before publication, the new American code
somewhat alters the theory of copyright, and more nearly conforms
statutory with common law, by making publication with notice the initial
copyright act and registration and deposit secondary acts necessary for
the completion of the copyright and its protection under the statute.
{Sidenote: Publishing}
Public-domain text, read in full here on John Shaqi.
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