Dressmakers -- Fiction; Love stories; Young women -- Fiction
Cocoa! Sally was transfixed.
"Oh, not _cocoa_!" she cried. "Not _cocoa_!" It was a desperate appeal.
It came from the depths of her heart. She had been alarmed at his
speech. She had been afraid of what he might do. But more than all she
was afraid of the horrible voice that had followed fear with its
imaginings of the means to her own salvation. At his further silence,
she went quickly out of the room and out of the hotel. She walked at a
rapid pace along the avenue, where others also were walking, as it was a
favourite promenade; and she found herself shaking with emotion as the
result of the disclosure which Gaga had made. He knew. He _knew_. What
did he know? And what would he do? Sally laughed hysterically. Oh, let
him do it _soon_! It was suspense that she could not bear. It was the
ghastly sense of muddle and falsehood that was oppressing her now.
Death--punishment--these were things of indifference. It was the fear of
either that made her torture. To know the worst, to face it, to suffer
for all she had done that was wrong, would satisfy her. But to be kept
in this horrible suspense much longer would send her mad. Why had she
not told Gaga the truth? She began hysterically to condemn herself. She
should have told him the truth. She should have said that Toby was an
old lover, jealous, angry, threatening. Now she could not tell any such
tale, because she had denied that a man had used her name. To confess
would make him disbelieve anything she ever said. Sally shrugged. He did
not believe her now. He would never believe her. Once he was well he
would find out everything. He would suspect her. He would persecute her
with suspicions. He would suspect that she was going to have a baby. He
would suspect ... he would _know_....
Creeping, creeping into Sally's mind came temptation. She walked more
swiftly until she reached a part of the road which bordered the river.
The water was less muddy here. The river looked in this aspect like a
big pool of liquid lead. It was less sinister. It carried to her heart
no sense of horror. She turned and began to walk back, meeting every now
and then a couple of pedestrians, or little knots of people, or solitary
individuals like herself, who strolled to and fro along the broad
avenue. But it was very dark, and she could not well see the faces of
those who passed, except when they were in the neighbourhood of a light.
She did not recognise anybody; and when she came once more to the bridge
she did not tarry, but walked straight across it. Upon the face of the
river were reflected the lights of the hotel, for the balcony was now
faintly illumined, and she could see that the curtains had been drawn at
the corner windows, although not elsewhere. Again unperceived, she made
her way upstairs and into the drawing-room, where she removed her coat
and hat and seated herself at the piano.
xxi
Public-domain text, read in full here on John Shaqi.
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