I live in a frenzy. My soul is on fire. Music is my sole thought and utterance. Colonel Despard thinks that I am mad. My friends here pity me. I smile within myself when I think of pity being given by them to me. Kindly souls! could they but have one faint idea of the unspeakable joys to which I have attained! My Cremona is my voice. It expresses all things for me. Ah, sweet companion of my soul’s flight! my Guide, my Guardian Angel, my Inspirer! had ever before two mortals while on earth a lot like ours? Who else besides us in this life ever learned the joys of pure spiritual communion? We rise on high together. Our souls are borne up in company. When we hold commune we cease to be mortals. My Opera is finished. The radiancy of that Divine Love which has inundated all the being of Edith has been imparted to me in some measure sufficient to enable me to breathe forth to human ears tones which have been caught from immortal voices. She has given me ideas. I have made them audible and intelligible to men. I have had one performance of my work, or rather our work, for it is all hers. Hers are the thoughts, mine is only the expression. I sought out a place of solitude in which I might perform undisturbed and without interruption the theme which I have tried to unfold. Opposite my house is a wild, rocky shore covered with the primeval woods. Here in one place there rises a barren rock, perfectly bare of verdure, which is called Mount Misery. I chose his place as the spot where I might give my rehearsal. She was the audience--I was the orchestra--we two were alone. Mount Misery is one barren rock without a blade of grass on all its dark iron-like surface. Around it is a vast accumulation of granite boulders and vast rocky ledges. The trees are stunted, the very ferns can scarcely find a place to grow. It was night. There was not a cloud in the sky. The moon shone with marvelous lustre. Down in front of us lay the long arm of the sea that ran up between us and the city. On the opposite side were woods, and beyond them rose the citadel, on the other side of which the city lay nestling at its base like those Rhenish towns which lie at the foot of feudal castles. On the left hand all was a wilderness; on the right, close by, was a small lake, which seemed like a sheet of silver in the moon’s rays. Farther on lay the ocean, stretching in its boundless extent away to the horizon. There lay islands and sand-banks with light-houses. There, under the moon, lay a broad path of golden light--molten gold--unruffled--undisturbed in that dead calm. My Opera begins with an Alleluia Chorus. I have borrowed words from the Angel Song at the opening of “Faust” for my score. But the music has an expression of its own, and the words are feeble; and the only comfort is, that these words will be lost in the triumph strain of the tones that accompany them.