One evening, after they had entered the Atlantic Ocean, they were
standing by the stern of the ship looking at the waters, when Brandon
repeated his request.
“Would you be willing to sing now?” he asked, gently, and in the same
tone of entreaty which he had used before.
Beatrice looked at him for a moment without speaking. Then she raised
her face and looked up at the sky, with a deep abstraction in her
eyes, as though in thought. Her face, usually colorless, now, in the
moonlight, looked like marble; her dark hair hung in peculiar folds over
her brow--an arrangement which was antique in its style, and gave
her the look of a statue of one of the Muses. Her straight, Grecian
features, large eyes, thin lips, and well-rounded chin--all had the same
classic air, and Brandon, as he looked at her, wondered if she knew how
fair she was. She stood for a moment in silence, and then began. It was
a marvelous and a memorable epoch in Brandon’s life. The scene around
added its inspiration to the voice of the singer. The ocean spread afar
away before them till the verge of the horizon seemed to blend sea and
sky together. Overhead the dim sky hung, dotted with innumerable stars,
prominent among which, not far above the horizon, gleamed that glorious
constellation, the Southern Cross. Beatrice, who hesitated for a moment
as if to decide upon her song, at last caught her idea from this
scene around her, and began one of the most magnificent of Italian
compositions:
“I cieli immensi narrano
Del grand’ Iddio la gloria.”
[Illustration: “SHE GAVE HERSELF ENTIRELY UP TO THE JOY OF SONG.”]
Her first notes poured forth with a sweetness and fullness that arrested
the attention of all on board the ship. It was the first time she had
sung, as she afterward said, since Langhetti had left Hong-Kong, and
she gave herself entirely up to the joy of song. Her voice, long silent,
instead of having been injured by the sorrow through which she had
passed, was pure, full, marvelous, and thrilling. A glow like some
divine inspiration passed over the marble beauty of her classic
features; her eyes themselves seemed to speak of all that glory of which
she sang, as the sacred fire of genius flashed from them.
At those wonderful notes, so generous and so penetrating with their
sublime meaning, all on board the ship looked and listened with
amazement. The hands of the steersman held the wheel listlessly.
Brandon’s own soul was filled with the fullest effects. He stood
watching her figure, with its inspired lineaments, and thought of the
fabled prodigies of music spoken of in ancient story. He thought of
Orpheus hushing all animated nature to calm by the magic of his song.
At last all thoughts of his own left him, and nothing remained but that
which the song of Beatrice swept over his spirit.
Public-domain text, read in full here on John Shaqi.
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