Corea or Cho-sen: The Land of the Morning CalmLandor, Arnold Henry Savage
History
Corea or Cho-sen: The Land of the Morning Calm
Landor, Arnold Henry Savage
Korea -- Description and travel
General Le Gendre, with his usual kindness, had offered me a room in his
house, in which I could receive, and paint His Royal Highness. The
excitement at Court on the subject of these pictures, had apparently been
great, for late at night a message was brought me from the palace to
the effect that the King, having heard that I preferred painting the two
princes in their smartest dark blue gowns of lovely silk instead of in
their white mourning ones, had given Min orders to comply with my wish.
The grant of such a privilege was, indeed, remarkable, when it is
remembered how strict the rules as to mourning were, not only at Court,
but all over the country; for so strict are the mourning rules of the
country, that the slightest exception to them may mean the loss of one's
head. The precaution, however, was taken to bind me to secrecy, on the
ground that a bad example of this kind coming from royalty might actually
cause a revolutionary outbreak. It was naturally with the greatest
pleasure, at my success, and the courtesy shown me, that I went to bed,
not, however, without having received yet another message from General Le
Gendre, asking me to be in attendance punctually at 11 A.M.
It was just 6.30 in the morning, when there was a loud tap at my door,
and the servant rushed in, in the wildest state of excitement, handing me
a note from General Le Gendre. The note read somewhat as follows: "Dear
Mr. Landor, Prince Min has arrived at my house to sit for his picture.
Please come at once."
That is punctuality, is it not? To make an appointment, and go to the
place to keep it four-and-a-half hours before the time appointed!
In less than no time I was on the spot. Le Gendre's house was, as it
were, in a state of siege, for hundreds of armed soldiers were drawn up,
in the little lane leading to it, while the court of his compound was
crammed with followers and officers, in their smartest clothes. The
warriors, who had already made themselves comfortable, and were squatting
on their heels, playing cards and other games, got up most respectfully
as I passed, and, by command of one of the officers, rendered me a
military salute, which I must confess made me feel very important. I had
never suspected that such an armed force was necessary to protect a man
who was going to have his portrait painted, but of course, I am well
aware that artists are always most unreliable people. When the real
reason of this display was explained, I did indeed feel much flattered.
Public-domain text, read in full here on John Shaqi.
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